goPure / AdFactorySongFormat · difference-dna-v1Правила и куда их положить ↓

ТРИ ВИДЕО · ОДИН ПАСПОРТ · ОДНА ШКАЛА

Что делает CustomTarasFinal лучше нашего фильма

Оригинал targ
Оригинальный англоязычный референс (Target / Seora), 194.3 с, 30 fps, 720×1280
Наш фильм v07
Наша текущая лучшая итерация: goPure, song-v02, export v07, 239.7 с, 30 fps, 486×864
CustomTarasFinal
Видео, которое владелец любит больше: бренд на экране HANBIT Skincare (Arbutin 7.0 + TXA 4.0), 194.2 с, 24 fps, 720×1280

Файлы отдаются побайтно из R2 по SHA256 (см. large-media.json). CustomTarasFinal — read-only источник владельца; его провенанс не известен и здесь не выдумывается.

МАКРО · МОНТАЖ НА ОДНОЙ ШКАЛЕ

Планы, крупность, продукт и видимость проблемы

Каждая полоса — план; цвет — крупность по леджеру ручного разбора кадров. Наведите курсор для времени и действия.

ECUCUMCUMSMLSWSINSERTCARD
0:00.00:30.01:00.01:30.02:00.02:30.03:00.0targ-S01 0:00.0–0:03.9 MS · Heroine foreground-left holds a small white cream box at chest and studies it (0-1 s); box jumps to her right hip while she turns her head over her shoulder toward the blonde standing mid-depth right (1.5-2.5 s); turns back to camera with a stunned face (3.0 s). At 3.4 s a white crumpled-paper hole opens over her torso revealing the blonde balcony portrait.targ-S02 0:03.9–0:05.3 MS · Static aspirational portrait; blonde rests left hand on railing, no other movement. From ~5.0 s the image enlarges and defocuses (radial zoom blur) into the next shot.targ-S03 0:05.3–0:09.8 MS · Two women stand shoulder to shoulder; blonde leans in and visually scans heroine's cheeks; heroine holds still, glances sideways, swallows. No hands or product visible (box from S01 is gone).targ-S04 0:09.8–0:12.1 MS · Couple stands side by side laughing; groom turns and pulls bride into a hug, she lifts the bouquet behind his back (11.0-11.8 s). Then white exposure pulses flash over the embrace.targ-S05 0:12.1–0:14.4 MLS · Mark carries a box across the threshold and out toward the car; door swings open left; camera drifts forward after him.targ-S06 0:14.4–0:18.0 MLS · Couple dines: both laugh; Mark reaches across and covers her hand near the wine glasses (16.0-17.0 s); at 17.5 s they clink raised wine glasses. Candle, two plates.targ-S07 0:18.0–0:23.0 MCU · Blonde drives, one hand on the wheel; minimal motion beyond blinks and smile changes. Steering-wheel/seat geometry shifts between 19.5 s and 20.0 s (wheel jumps right).targ-S08 0:23.0–0:24.7 MS · Static crying pose; only slight shoulder/hand tremor.targ-S09 0:24.7–0:27.5 CU · Heroine touches her cheek patch with her fingertips while examining her reflection; a tear tracks down at 26.5 s.targ-S10 0:27.5–0:29.2 CU · Static stress pose with a single big eye-opening; no other movement.targ-S11 0:29.2–0:31.0 MS · Sits on bed edge, hands over face, faint rocking; nothing else moves.targ-S12 0:31.0–0:33.0 MS · Heroine stirs pot; two children appear in the doorway behind her and beam; she turns to them, then back to the stove with a heavy look. Hand near pot at 31.0 s is a motion smear.targ-S13 0:33.0–0:37.1 WS · Heroine walks away from camera through the automatic doors into the store; carts and shoppers static; doors close in behind her.targ-S14 0:37.1–0:39.3 MS · Holds the white cream box in both hands at sternum, reads it, then snaps her head up in surprise. Background shoppers static.targ-S15 0:39.3–0:42.1 INSERT · Detail pass over the clutter of previously tried products; heroine's hand lifts toward her face at top of frame.targ-S16 0:42.1–0:46.0 MS · Holds box at sternum; hears a voice off-screen right: eyes lift and track, then closes eyes in recognition, then looks toward the sound. Box stays in hands.targ-S17 0:46.0–0:47.0 MS · One-second replay of the opening image: heroine turned away, box now held low at right hip; blonde standing mid-depth right. Blur resolves at the head, then hard cut.targ-S18 0:47.0–0:57.1 MS · Two women stand shoulder to shoulder facing camera; new wife (right, slightly behind) leans her head toward heroine and visibly scans her face; heroine's body stays rigid, arms at sides, cardigan sleeves pulled over hands; at ~55 heroine turns her face front to camera. No walking, no props; a single continuous generated clip.targ-S18 0:47.0–0:57.1 MS · Rival performs the 'forehead, cheeks, jaw' scan with her eyes; heroine holds still and watches her watching. Hands hidden behind the caption box.targ-S19 0:57.1–1:03.2 MLS · Couple stands side by side; bride laughs up at groom (57.1-59.4); at 59.4-60.3 they turn into each other and embrace fast (groom's arm wraps her back, bride's head to his chest); 60.3-63.2 held embrace with slight sway. Soft scene-score bump 59.57-60.2 is this fast motion, NOT a cut (verified frames 1780-1810 continuous).targ-S20 1:03.2–1:07.1 WS · Heroine stands at open driver door (63.2), ducks and slides into the seat (63.8-64.8), the door swings shut (65.0-66.5) and she is a dark shape behind the window by 66.5-67.1. Only she moves; carts and cars static.targ-S21 1:07.1–1:12.2 MCU · Both hands grip the wheel; she looks up-left into the rear-view mirror; the camera drifts up and in until the mirror fills the top third; tears run; no other movement.targ-S22 1:12.2–1:20.9 CU · Frontal talking-head with no speech: hands rise to the face 73.0-74.6 then drop; head tilts; eyes close/open; final direct-to-camera stare. Micro-motion only.targ-S23 1:20.9–1:26.0 WS · Heroine stands centre with arms at sides, weight still; mentor sits on the bench left reading; dancers move in the mirrored room; at 84.5 heroine glances down at the mentor; from 85.6 the image washes to white.targ-S24 1:26.0–1:30.3 MCU · Head-and-shoulders hold; only subtle head tilts and one blink.targ-S25 1:30.3–1:35.4 WS · Heroine bends at the waist toward the seated mentor with an open upturned palm (90.5-93.5), straightens and gestures with both hands/tilts head (93.5-95.4); mentor turns her head up to her; dancers rehearse arm positions behind the glass.targ-S26 1:35.4–1:39.7 WS · Blocking is reset at the cut (heroine now standing straight, mentor's head down laughing); mentor laughs, then lifts her gaze toward the heroine's face and stands up; from 98.9 the mentor's figure and the heroine's outline dissolve into motion smear while the bench, plant and dancers fade away.targ-S26 1:35.4–1:40.5 WS · Both women stand facing each other; mentor (left) points index finger at the heroine's face; heroine stands with hands at sides, smiling. Static hold in the last 0.5 s.targ-S26b 1:39.7–1:40.5 MLS · Both standing face to face; mentor holds a raised index finger, heroine listens and smiles; tiny hand/head motion only. Continues to 100.5 then hard cut to product still-life (segment 3).targ-S27 1:40.5–1:45.1 INSERT · Static still-life of the 'old routine': orange dropper bottle labelled 'EQQUAL BERRY VITAMIN illuminating Serum' (red cap) with a spilled orange drip at its base; blue/white box 'Retin-A Cream 0.05%' leaning right with a squeezed silver tube beneath it; flat pink tube 'Tri-Luma' lying at lower-left; folded towel and a ring dish. No hands, no motion other than the slow drift.targ-S28 1:45.1–1:49.4 MCU · Mentor speaks 3/4 to screen-right: 105.1 open palm out; 105.5-107.5 index finger raised and wagged ('stop'); 108.0 eyes closed, fist near chin for emphasis; 108.5-109.4 hand opens again, palm up toward the (off-screen) heroine.targ-S29 1:49.4–1:58.8 MS (TWO-SHOT) -> MCU SINGLE AFTER IN-SHOT PUSH-IN · Heroine already holds the pink SEORA tube in both hands (109.4); mentor sits left with legs crossed. 110-113 heroine turns tube, examines it, mentor talks; 113.5-114.5 mentor's index finger points at the tube ('Use this'); 115.5-117.0 camera pushes in and drifts right, mentor slides out of frame; 117.0-118.8 heroine lifts the tube upright in both hands toward camera (label 'SEORA' readable), then looks to camera.targ-S30 1:58.8–2:02.9 MCU · 119.0 squeezes white cream from the pink tube (right hand) into left palm; 119.5-120.0 tube now stands upright on the counter at right while she studies the cream in her palm; 120.5 eyes closed, right hand dabs right cheek; 121.0 both hands on cheeks; 121.5 hands down, two flat white cream ovals sit on the cheeks; 122.0-122.9 hands back on cheeks, eyes wide, faint smile.targ-S31 2:02.9–2:08.2 MCU (OTS MIRROR) · Heroine in profile at left leans on counter, right hand at cheek; reflection faces camera. 123-125.5 she touches/presses the cheek with fingertips, tilting the head; 126-128 fingers spread across the cheek, eyes widen, mouth opens; small head shake.targ-S32 2:08.2–2:16.3 MLS · Daughter (foreground left, back 3/4 to camera) looks up at mother standing right by the door. 128.2 mother's open palm, mouth open in surprise; 129 eyes-closed laugh; 130-132.5 mother looks down at daughter, small nods; 131-133 daughter's mouth moves and a small hand gesture; 133-134 mother's eyes widen, mouth opens; 134.5 right hand rises to chest, eyes closed; 135-136.3 wide grin, hand still on chest.targ-S33 2:16.3–2:23.0 MCU (OTS MIRROR) · Same OTS blocking as S31: real head in profile at left, reflection frontal. 136.3-140 right hand presses the cheek, small head turns as she inspects both sides; 140.5 smile appears; 141 eyes close in a laugh; 141.5-143 hand lowers to chin/jaw, big smile at her own reflection.targ-S34 2:23.0–2:26.4 MS · 143.0 heroine enters bending from the right, dropping a black foundation bottle and a compact into the open pedal bin; 143.5-144.5 hand hovers/opens over the bin; 145.0 she rises out of frame top-right, hand pushing the lid; 145.5-146.4 empty frame: bin full of foundation bottles and compacts, lid tilted open.targ-S35 2:26.4–2:30.8 WS · OTS from behind the mother's head (left foreground) across audience rows to the daughter playing the grand piano on stage; only motion is the daughter's hands on the keys and the slow push.targ-S35 2:30.0–2:30.8 WS · Daughter plays the grand piano on stage; audience heads still; heroine's blurred head in the foreground-left frames the stage. No visible gesture change in the 0.8 s tail.targ-S36 2:30.8–2:35.2 MS · Both seated in adjacent aisle seats, hands in laps/on the armrest. newWife keeps her head turned toward the heroine for the whole shot; the heroine first faces forward/half toward her, closes her eyes with a small smile, then turns and meets the newWife's look with a smile (~153 s). Daughter keeps playing on stage.targ-S37 2:35.2–2:39.9 MS · After the zoom smear the same angle resumes with jumped poses: newWife now leans toward the heroine with one hand on the armrest and a wide-eyed stare; heroine sits back, hands in lap, holding a serene smile. Very little body movement; the beat is the newWife's face.targ-S38 2:39.9–2:46.9 MS · newWife stands screen-left with her hand on her chest, delivering the compliment with a worried face; heroine stands screen-right, hands clasped low; at ~164.5 the heroine raises her right hand and touches the newWife's hand/forearm and keeps contact to the cut. newWife's left hand drifts toward the heroine's arm.targ-S39 2:46.9–2:53.4 WS · newWife walks in from screen-left (167.0-168.0) and stops facing the heroine, who stands beside the car holding her bag; newWife gestures once with a raised hand (~168.5) then clasps her hands; heroine touches her own forearm/bag, smiles, briefly closes her eyes. At ~169.9-170.2 a circular feathered inset fades in top-left over the sky: inside it, the earlier car-interior memory (rear-view mirror showing the heroine's pigmented, crying face; a red Target bullseye sign visible through the windshield; hand on the wheel). The inset content pushes in continuously toward the mirror from 170 to 173.4 until the mirror face fills the circle.targ-S40 2:53.4–3:00.3 MCU · Heroine stands at the open car door, three-quarter profile screen-left; head turn from the newWife (behind) to camera-right/upward, smile widens, then relaxes. No hand action visible.targ-S41 3:00.3–3:02.5 MS · Heroine faces the mirror, one hand cupping her cheek (touching the healed skin), smiles at her reflection, then closes her eyes; back of her head and shoulder in the foreground. No camera movement.targ-S42 3:02.5–3:08.5 MS · Seated on the couch, legs crossed, holding a magenta SEORA tube upright in her left hand at shoulder height with the label to camera; right hand gestures: near the tube (182.5), palm rolling open (184.5), open palm turned up/outward toward the bottom of frame while 'The link's below' is on screen (185.5-187.0), then both hands cradle the tube for the final smile (188.0-188.5).targ-S43 3:08.5–3:14.4 CARD · Static card. Only change: garbled pseudo-text lines 'type in' under the last benefit between ~188.5 and ~190.5 (188.5: 'Ascreied biating crasy aaltes hed alrwey'; by 189.5 a second line 'het Silosy Nis sandalge vealwed selin' and 'Net50G/'; by 190.5 'Net50G/ 1.76z'), then fully static to the end.продукт: in hand (generic white cream box, not the hero product) · 0:00.0проблемная зона видна: before,n/a · 0:00.0проблемная зона видна: before,n/a · 0:05.3проблемная зона видна: before · 0:23.0продукт: no (only generic prior-attempt jars on the counter) · 0:24.7проблемная зона видна: before · 0:24.7проблемная зона видна: before · 0:27.5проблемная зона видна: before · 0:29.2проблемная зона видна: before,n/a · 0:31.0продукт: in hand (generic boxed cream) · 0:37.1проблемная зона видна: before · 0:37.1продукт: no (prior-attempt clutter only) · 0:39.3продукт: in hand (generic boxed cream) · 0:42.1проблемная зона видна: before · 0:42.1продукт: in hand (low, at hip) · 0:46.0проблемная зона видна: before,n/a · 0:46.0проблемная зона видна: before,n/a · 0:47.0проблемная зона видна: before,n/a · 0:47.0проблемная зона видна: before · 1:07.1проблемная зона видна: before · 1:12.2проблемная зона видна: before,n/a · 1:20.9проблемная зона видна: before,n/a · 1:30.3проблемная зона видна: before,n/a · 1:35.4проблемная зона видна: before,n/a · 1:35.4проблемная зона видна: before,n/a · 1:39.7продукт: no (competitor / prior products only; no seora) · 1:40.5продукт: in hand (seora pink tube, label readable from ~116.5) · 1:49.4проблемная зона видна: before,n/a · 1:49.4продукт: in hand / being applied (seora tube with 'arbutin 7...' side text visible bottom-right through the whole shot) · 1:58.8проблемная зона видна: application · 1:58.8проблемная зона видна: intermediate · 2:02.9проблемная зона видна: intermediate (narratively), visually resolved,n/a · 2:08.2проблемная зона видна: resolved · 2:16.3продукт: no (discarded makeup only) · 2:23.0проблемная зона видна: resolved · 2:23.0проблемная зона видна: n/a,resolved · 2:30.8проблемная зона видна: n/a,resolved · 2:35.2проблемная зона видна: n/a,resolved · 2:39.9проблемная зона видна: before,n/a,resolved · 2:46.9проблемная зона видна: n/a,resolved · 2:53.4проблемная зона видна: resolved · 3:00.3продукт: in hand · 3:02.5проблемная зона видна: resolved · 3:02.5продукт: card · 3:08.5Оригинал targ · 3:14.3 · планов: 47 · титров: 89 · зелёная полоса = продукт в кадре · нижняя полоса = видна проблемная зона (розовая до / жёлтая частично / синяя решено)0:00.00:30.01:00.01:30.02:00.02:30.03:00.03:30.0film-S01 0:00.0–0:04.0 MS · Heroine in left foreground holds a small white cream box in both hands, looking down at it; newWife walks in from depth right, approaching and stopping just behind her right shoulder by 3 s. Heroine lifts the box slightly at 3 s.film-S02 0:04.0–0:06.0 MCU · Portrait of newWife leaning on railing; she brings a hand to her chin, then lifts it in a small gesture. Revealed through a jagged torn-paper aperture over S01 (aperture visible at 4.0 s, full frame by ~4.5 s).film-S03 0:06.0–0:10.0 MS · Frontal two-shot, newWife now shoulder-to-shoulder at heroine's right. Heroine turns her head toward newWife, then looks down and closes her eyes; newWife holds a soft pitying look.film-S04 0:10.0–0:15.0 MS · Couple in a still embrace at the altar; only micro-movement (breathing, slight sway). From ~13.5 s the image bleaches toward white; by 14.5 s it is a washed-out white frame with no caption.film-S05 0:15.0–0:18.0 MS · Ex-husband stands in the doorway holding a cardboard box of belongings, facing camera (15.0); pivots ~180 degrees within ~1 s (15.5 side view) and walks out through the front door (16-16.5); the door swings shut, hiding him by 17 s; 17.5 s is a hold on the closed door and the wall of framed couple photos.film-S06 0:18.0–0:21.0 MLS · Seated two-shot; he holds her hand across the table; they exchange looks; she lowers her gaze and smiles.film-S07 0:21.0–0:25.0 MCU · newWife at the wheel, hands on steering wheel, small head turns and smiles; a blurred pedestrian passes outside the passenger window at 24-25 s.film-S08 0:25.0–0:27.0 MS · Heroine sits on the sofa, both hands pressed over her mouth, sobbing; head dips slightly.film-S09 0:27.0–0:31.0 MCU · Heroine in profile (left, real) and reflection (right). Hand on her cheek at 27-27.5, then the hand drops to her neck/collarbone from 29 s and she pulls her neckline/touches her throat (30-30.5) while staring at her reflection.film-S10 0:31.0–0:33.5 CU · Hand pressed to forehead/temple; eyes dart right, then close as she winces.film-S11 0:33.5–0:37.0 MLS · Heroine sits on the edge of the bed, wrings her hands, then buries her face in both hands and cries.film-S12 0:37.0–0:41.5 MS · Heroine stirs a pot with a wooden spoon, other hand pressed to her temple; two children stand in the doorway behind her, looking at her; she lowers her hand and looks down into the pot by 40 s.film-S13 0:41.5–0:48.0 WS · Rear view: heroine walks through the sliding doors into the store and continues down the central aisle, receding; shoppers in depth.film-S14 0:48.0–0:52.0 MS · Heroine holds a white cream box with a small round emblem in both hands, reading it; at 50-51 s she closes her eyes and her mouth drops in resignation.film-S15 0:52.0–0:56.0 MCU (TILTS DOWN TO INSERT OF CREAM JARS BY 55 S) · Heroine faces the mirror with one hand on her neck; the camera tilts down past her chin to her chest and hand, ending on a counter of open cream jars (one open jar with white cream at 55-56 s).film-S16 0:56.0–1:02.4 MS · Heroine holds a beige/tan cream box (different from the white box of S14), looks at it, then snaps her head up and to the right at 57.5 s as if hearing a voice; at 59-59.5 s she turns her head right, listening; by 62.4 s newWife has walked into the frame behind her.film-S15 0:56.0–1:00.7 MS · Heroine holds a small cream carton in both hands at sternum; at 59.5-60.0 she turns her head and torso to the right (toward the off-screen voice) and keeps holding the box; 60.2-60.6 static hold turned away.film-S15b 1:00.7–1:02.4 MLS · NewWife walks toward the heroine from the right background (full figure, 60.8-62.4); heroine, foreground-left with back to camera, turns her head over her shoulder and by 62.0 faces the lens (animated turn); the box is no longer visible in frame.film-S16 1:02.4–1:14.4 MS · Static facing two-shot: newWife speaks (mouth animation 62-64), her gaze slides down (65.0-66.5, eyes only, slight head tilt), returns to the face (67-69), then she smiles (69.5 on). Heroine holds profile, eyes glisten, then turns her face to camera (70-72) and freezes in wide-eyed shock to 74.4. No hands, no lean of consequence.film-S17 1:14.4–1:21.6 MS · Animated: couple posed side by side (74.4-75.5), bride laughs and tilts head (75-75.8), groom turns and wraps both arms around her (76.0-77.0), then a static hug hold with bride's cheek on his chest, bouquet in her left hand (77-81.6).film-S18 1:21.6–1:29.6 MLS · Full animated sequence: 81.6-82.5 reaches for the silver sedan's driver handle; 83-84 pulls door open; 85-86.5 sits on the seat with feet still on the tarmac, bag on shoulder; 87-88.5 swings legs in; 88.5-89.0 door closes; 89.0-89.6 she is seen only through the window.film-S19 1:29.6–1:33.8 CU · Heroine at the wheel in profile looks up into the rear-view mirror (89.6-90.5); the camera pushes into the mirror until the mirror image fills the frame (92.3); her left hand rises into the bottom-left of frame at 92.0 and touches the side of her neck/jaw (92.5-93.8) while she stares at her own neck.film-S20 1:33.8–1:41.6 CU · Animated gestures: both hands rise from below frame (94.0-94.5), rake into the hair at the temples (95.0), slide down to clasp both sides of the neck (96.0-98.3), then drop out of frame (98.5-98.8); face relaxes from a closed-eye grimace into an open-eyed defeated stare (99-101.6).film-S21a 1:41.6–1:48.3 WS · Static two-plane composition: mentor seated on the bench reading, heroine stands beside her leaning slightly forward and staring at her; ballerinas and instructor move behind the glass. Minor sway only (2 fps diffs 8-15); no hand action.film-S21b 1:48.3–1:52.5 CU · Static head-and-shoulders hold with a slow blink/closed-eye smile and small head settle; no hands.film-S22a 1:52.5–1:57.7 WS · Animated: heroine bends toward the seated mentor with an open palm-up hand (112.5-113.5), brings the hand to her chest (114.0), then slowly straightens up with hands at her sides (115-117.6). Mentor tilts her head up and holds eye contact with a smile.film-S22 1:52.5–2:02.4 WS · 120.0 Iryna seated on bench with an open book looks up at the standing heroine; 120.5 closes the book; 121.0 rises, leaning forward; 121.5-122.4 both stand face to face, Iryna gestures with an open palm at 122.0 (asking); heroine keeps hands together and watches her; class keeps moving behind the glassfilm-S22b 1:57.7–2:02.4 WS · Blocking resets on the cut (mentor's book lower, heroine's pose reset upright). Mentor laughs (117.7-119), then looks up at the heroine (119.5-120); heroine glances down at herself, then back. Background class continues.film-S23 2:02.4–2:09.2 INSERT · Still-life of generic face products: orange dropper bottle (pseudo-label 'VITAMIN...'), blue-and-white tube standing on its cap that legibly reads 'Retin-A Cream', flat pink tube, small orange jar, pool of spilled orange serum. No hand, no event.film-S24 2:09.2–2:17.8 MCU · 129.2 eyes closed mid-sentence; 129.7 opens eyes, mouth open; 130.5-134.0 talks with hand gestures (open palm, raised index finger ~131.5, palm-up 133.5-134.0); 134.5-135.5 hand to chest, eyes closed then looks down; 136.0-137.8 smiles, open-palm offering gesture toward camera-leftfilm-S25 2:17.8–2:29.6 MS · 137.8 heroine holds purple goPure jar at chest with both hands; 138.0-141.0 Iryna talks (hand to chest 139.0, finger to chin 140.0, points at jar 140.5), heroine looks up at her; 141.5-143.5 heroine lowers eyes and reads the jar while Iryna gestures then watches; 144.0-146.5 camera pushes in, Iryna leaves frame ~146.0; 146.0-149.6 heroine reads, eyes down, brief eye-close 147.0, jar lifted toward lens 147.5-149.6 showing 'GOPURE' cap bandfilm-S26a 2:29.6–2:35.7 MCU · 149.6-150.8 open purple jar in left hand at bottom of frame, cream dab on right index finger, eyes closed then looks at the finger; 151.0 looks forward; 151.5-154.5 strokes cream upward on the neck (finger under jaw, streak visible), left hand at collarbone; 155.0-155.5 both hands at collar, looks forward; dissolve begins 155.5film-S26b 2:35.7–2:42.9 MCU · 156.0-157.0 stares at reflection; 157.5 right hand rises to neck; 158-159.5 fingers on side of neck/jaw, looks down; 160.0 hand on chest; 160.5-161.0 looks down, touches neck; 161.5-162.9 lifts eyes to reflection, mouth openfilm-S27 2:42.9–2:53.2 MS · 162.9 daughter foreground-left looks up, heroine's right hand raised open; 163.5-166.5 heroine looks down at daughter with palm gesture; 167.0 turns head away right; 167.5-169.0 surprised face toward right; 169.5 hand on chest; 170-171.5 hold with eyes closed; 172-173.2 opens eyes, big smile; daughter drifts out of frame ~169film-S28 2:53.2–3:03.6 CU · 173.2-173.3 hard cut to a wider OTS mirror frame (reflection neutral, hands at chest; the intermediate-mirror composition) for ~3 frames; 173.3-173.7 dissolve into the CU with both faces double-exposed; 173.7-175.0 stares, mouth open; 175.5 both hands to neck; 176-177.3 looks down and palpates neck; 177.5 eyes close, smile; 178.5-180 eyes open, smiles, tilts head upfilm-S28 3:00.0–3:03.6 CU · OTS mirror close-up: heroine's own dark hair/shoulder at frame-left, reflected face centre. Both hands rest flat on collarbones/upper chest; she closes and reopens her eyes, smile widens; by 183.5 hands start to drop out of frame. No camera move.film-S29 3:03.6–3:09.1 MS · Heroine stands at the vanity holding a folded beige fringed scarf over the open drawer (183.6-184.5), lays it into the drawer and presses it down with both hands (185.0-186.0), rests a hand on the counter and looks up toward the mirror (186.5-187.5), then turns and walks toward/past the camera to frame-right, her torso filling the frame at 187.9; from 188.0 the frame is empty vanity with the drawer left open until the cut (189.07). Camera locked off.film-S30 3:09.1–3:14.0 WS · OTS from behind the heroine (her hair fills frame-left at 189.1) toward the stage where the daughter plays the grand piano; the camera pushes slowly toward the stage so that by 194.0 the heroine's head is reduced to a small corner element bottom-left and the daughter/piano are larger. Daughter's hands move on the keys; extras are static.film-S31a 3:14.0–3:18.6 MS · Seated two-shot: blonde new wife left, heroine right, one empty seat between. Blonde turns and stares at the heroine with open-mouthed surprise; heroine at first looks down, then turns toward her and smiles; both are smiling at each other by 197.5-198.4. Camera static; background piano/daughter continue faintly.film-S31b 3:18.6–3:23.3 MS · After a short blur-dissolve the same two-shot resumes in a new take: both women are now leaning toward each other; the blonde closes her eyes smiling, then reaches across and lays her hand on the heroine's forearm on the seat arm (201.5-203.2) while gesturing/speaking with her other hand. Camera static.film-S32 3:23.3–3:30.4 MS · Standing two-shot behind the programme table. Blonde, hand on chest, speaks to the heroine; heroine first looks away up-left with hands clasped, then puts her own hand to her chest and closes her eyes (touched), then turns to face the blonde. The camera pushes in slowly from waist-up to chest-up by 210.2.film-S33 3:30.4–3:38.4 MLS · Two-shot by the car; the blonde talks with hand gestures, the heroine listens holding her bag. Continuous slow push-in from a near full-body two-shot to a medium-close profile of the heroine by 217.9, the blonde drifting off frame-left. At ~214.9 a circular inset pops in upper-left (scales up within ~0.1-0.2 s) and plays a moving flashback: heroine inside a car looking at the rear-view mirror (215.0), her reflected face (216.5), then a frontal before-state face with tired eyes and lined neck (217.9-218.3). Inset holds until the cut.film-S34 3:38.4–3:44.1 MCU · Static medium-close portrait of the heroine three-quarter to camera; she keeps her eyes closed, then opens them and addresses the lens, then glances back toward the blonde and away again. Blonde remains a static background figure.film-S35 3:44.1–3:46.6 CU · OTS mirror shot: heroine's right hand rests on the side of her neck; she looks up and smiles broadly, then closes her eyes. Camera pushes in from a framing that shows the whole arched mirror to a tight CU where the frame edge is gone by 226.5.film-S36 3:46.6–3:55.2 MS · Seated frontal medium shot. Heroine holds a purple goPure jar with silver lid in her left hand at chest height screen-right; right hand points at the jar (226.6-228.0), then opens palm-up toward camera (228.5-231.5), then index finger points down toward the bottom of frame (232.2-234.0), then open palm again (234.5). Mouth animates in sync-like shapes. Camera static.film-S37 3:55.2–3:59.7 CARD · Static CTA card: purple 'goPure' wordmark top, headline 'Догляд / за шиєю' in dark purple bold, photoreal packshot of the goPure 'Tighten & Lift Neck Cream' jar on marble, green rounded button 'Залиште ім'я та телефон ↓', small grey lines 'Оплата після огляду / Повернення протягом 60 днів', then the sung caption in black bold below. Only the caption changes; the card itself does not animate.продукт: in hand (generic white box, no legible brand) · 0:00.0продукт: no (box out of frame / hidden) · 0:06.0продукт: no (unrelated cream jars on counter) · 0:27.0проблемная зона видна: before · 0:27.0проблемная зона видна: before · 0:31.0проблемная зона видна: before,n/a · 0:37.0продукт: in hand (white box, small round emblem, no legible brand) · 0:48.0продукт: no (competitor/unbranded jars as 'tried everything' insert) · 0:52.0проблемная зона видна: before · 0:52.0продукт: in hand (beige box, no logo) · 0:56.0проблемная зона видна: before,n/a · 0:56.0продукт: in hand (plain white/cream carton, no legible brand) · 0:56.0проблемная зона видна: before,n/a · 0:56.0проблемная зона видна: before,n/a · 1:02.4проблемная зона видна: before · 1:21.6проблемная зона видна: before · 1:29.6проблемная зона видна: before · 1:33.8проблемная зона видна: resolved · 1:48.3проблемная зона видна: before,n/a · 1:52.5продукт: no (generic non-gopure face products) · 2:02.4проблемная зона видна: n/a · 2:09.2продукт: in hand (purple jar, silver cap, 'gopure' on cap band; body label small, only partly legible) · 2:17.8проблемная зона видна: before,n/a · 2:17.8продукт: being applied (jar in hand 149.6-150.8, then cream on finger/neck) · 2:29.6проблемная зона видна: application · 2:29.6проблемная зона видна: intermediate · 2:35.7проблемная зона видна: intermediate,n/a · 2:42.9проблемная зона видна: resolved · 2:53.2проблемная зона видна: resolved · 3:00.0проблемная зона видна: resolved · 3:03.6проблемная зона видна: n/a,resolved · 3:14.0проблемная зона видна: n/a,resolved · 3:18.6проблемная зона видна: n/a,resolved · 3:23.3проблемная зона видна: n/a,resolved (base) / before (inset) · 3:30.4проблемная зона видна: n/a,resolved · 3:38.4проблемная зона видна: resolved · 3:44.1продукт: in hand · 3:46.6проблемная зона видна: resolved · 3:46.6продукт: card · 3:55.2Наш фильм v07 · 3:59.7 · планов: 46 · титров: 89 · зелёная полоса = продукт в кадре · нижняя полоса = видна проблемная зона (розовая до / жёлтая частично / синяя решено)0:00.00:30.01:00.01:30.02:00.02:30.03:00.0taras-S01 0:00.0–0:03.1 MS · Heroine stands facing camera in the aisle, arms at sides. New wife walks up the aisle toward camera behind her right shoulder, closing from about 5 m to 2 m over the shot. Camera pushes in from MS (waist) to MCU (chest) by 2.5 s.taras-S02 0:03.1–0:07.0 MCU · Over-the-shoulder of the foreground figure: new wife holds a small cream jar in both hands at chest height, rotates it, reads it, lifts it slightly (4.0-5.0), then raises her eyes toward the foreground figure (5.5-6.5). Camera drifts slightly; framing widens from MCU to loose MCU by 6.5 s (foreground shoulder slides out of frame). Soft score at 6.46 s is this drift, not a cut.taras-S03 0:07.0–0:10.8 CU · Tight OTS of the heroine's head (right edge) onto the new wife's face. New wife's smile slowly grows; her eyes move as if scanning the heroine's face (7.5 up, 9.0 down-left, 10.0 centre). Small head tilt. No body movement.taras-S04 0:10.8–0:13.3 CU · Profile CU, heroine facing right. Camera drifts around behind her so the framing goes from 3/4 profile (10.8) to profile (12.0) to near back-of-head (13.3). Her jaw tightens; no other body motion. During 12.6-13.3 the shelves dissolve into a wall/window and the cardigan becomes a crew-neck.taras-S05 0:13.3–0:15.4 MCU · Bride and groom hold hands chest-high; bride laughs and rocks slightly; groom smiles down; light micro-movement only (idle animation).taras-S06 0:15.4–0:16.8 INSERT · Two hands with wedding bands hang side by side, fingertips touching then drifting slightly apart (15.5-16.5). Guests behind clap.taras-S07 0:16.8–0:22.8 WS · Man walks away from camera through the open door with a suitcase (16.8-19.4), steps down onto the path and exits frame right at ~19.5 s. Colour bleeds back into the scene as he leaves. 19.5-22.75 s (3.25 s) is a hold on the empty hallway and open door - nothing moves.taras-S08 0:22.8–0:24.1 CU · Head turn/glance only; hair sways slightly.taras-S09 0:24.1–0:25.7 MLS · Seated two-shot; both lean slightly toward each other, hands near the plate; only breathing/idle motion.taras-S10 0:25.7–0:28.5 ECU · ECU on the right half of the face. Eye opens on cue at ~27.4 s (between 'ще' and 'не дійшов'); slight camera float.taras-S11 0:28.5–0:33.4 MCU · Heroine stands at the sink facing the mirror; camera sees her 3/4 front on the left and her profile reflection on the right. She leans in toward the glass (the reflection grows 29.0-33.0), tilts her head, studies her cheeks; no hands raised.taras-S12 0:33.4–0:35.5 MS · Heroine sits on the bed edge, elbow on knee, palm covering her face. Camera pushes from MS (33.4) to a tight CU on hand and face (35.4); her shoulders shake slightly.taras-S13 0:35.5–0:38.3 WS · Heroine stands alone centred in the aisle, arms at sides, looks around (35.5-37.5); at ~37.5 she starts walking toward camera and is mid-stride, closer, by 38.0. Soft score at 36.04 is the head turn, not a cut.taras-S14 0:38.3–0:41.8 MCU · Holds a glass cream jar in both hands at chest height, tilts it to read the label, lifts it slightly (39.5-40.0), sighs with eyes closed (40.5), looks down again. Camera pushes from MCU to CU.taras-S15 0:41.8–0:45.0 MCU · Frontal MCU. Holds a wide glass jar toward camera, right hand on the lid, thumbs turning it (41.8-43.5); then freezes and looks up at camera at 44.0.taras-S16 0:45.0–0:50.5 MCU · 3/4 profile at the shelf; right hand lifts a small silver-lidded jar from the shelf (45.0-46.5), looks at it, lowers it (47.0-47.9). Head snaps to camera at ~48.2 s; she holds the shocked stare, jar still in hand, through the cut at 50.5.taras-S14 0:45.0–0:50.5 MCU · In left profile she holds a small cream jar at chest height and studies it; ~47.4 her gaze drops and she turns her head away toward the shelf so the face is lost for ~0.9 s; 48.4-49.5 she whips her head toward camera (hearing the voice), eyes wide, mouth open; holds that startled look to the cut; jar stays in her left hand at frame bottom-left, out of focus. Camera does not move.taras-S15 0:50.5–0:53.8 CU · Frontal to camera, both hands raised as clenched fists at chest level (stock 'scared' pose); the only motion is the eye-widen and mouth opening plus a slow push-in from MCU to CU. No body movement.taras-S16 0:53.8–0:56.2 MS · Two-shot chest-up: newWife left in profile facing right, heroine right in 3/4 facing left, about arm's length apart; heroine's hands clasped low at frame bottom; only micro head motion and a slight widening of newWife's smile. Static camera.taras-S17 0:56.2–1:00.6 ECU · ECU of newWife's face in 3/4 profile filling the frame; her eyes perform the 'two-second scan' over the off-screen heroine's face, then the head turns slightly camera-right. Very slight frame drift, no real camera move.taras-S18 1:00.6–1:03.4 MCU · She stands still in 3/4, looks down-left away from the evaluator, small head dip, lip quiver. Note eye colour: GREEN here, brown/amber in every other heroine shot.taras-S19 1:03.4–1:09.6 CU · Frontal POV of newWife looking at camera (= heroine); smile grows from polite to sympathetic over 66-68.5, then she closes her eyes and smiles fully at 69.0; camera pushes from MCU to CU over the 6 s.taras-S20 1:09.6–1:15.2 CU · She stands still and cries; tears run; chin lowers; the camera pushes from CU (shelves visible both sides) to ECU (forehead cropped); at 74.1-74.7 the grade dissolves from B&W to full colour inside the shot. No cut inside (verified at 24 fps).taras-S21 1:15.2–1:20.4 CU · Heroine faces camera motionless; a translucent bride figure is superimposed at lower centre over her chest from the first frame (75.2), holds, and fades out 79.6-79.85; the bride lowers her gaze and closes her eyes 78-79; the heroine closes her eyes at 78.5 and holds to the cut. Camera static.taras-S22 1:20.4–1:24.5 MS · Profile from the passenger side: both hands on the wheel, she looks down, then lifts her face, closes her eyes and lets her head fall back onto the headrest; camera pushes from MS (wheel and cabin visible) to MCU.taras-S23 1:24.5–1:30.0 CU · Her reflection fills the mirror; a hand is braced at the mirror's left edge 84.5-87.5; the camera pushes toward the mirror throughout; at 87.6-88.3 her right hand rises and the index finger touches the cheek patch and stays there; the back of her real head enters at frame right out of focus 88-90. No cut inside (verified at 24 fps).taras-S24 1:30.0–1:32.7 CU · Static frontal portrait; only the eyes and brows move as the gaze drops. No camera move.taras-S25a 1:32.7–1:35.4 MCU · Stands facing camera and speaks/smiles; no body movement; static camera.taras-S25b 1:35.4–1:40.0 MCU · Smiles and blinks; hands come together at the waist at frame bottom 97.5-100; slight head tilt; static camera.taras-S26 1:40.0–1:45.5 MS · Two-shot in profile/3-4: heroine (screen left) faces mentor (screen right) and speaks; small head tilts and mouth movement only; mentor listens and smiles, eyes crinkle shut near the end. No body movement, no object contact.taras-S27 1:45.5–1:50.0 MCU · Over-the-shoulder on mentor: she talks, head nods slightly, eyes flick down to heroine's face and back up; a slow blink at ~108 s. Heroine's head/shoulder is a static foreground mass.taras-S28 1:50.0–1:55.5 MS · Heroine stands behind a shelf of her old products holding a white pipette/dropper in her right hand; she glances over the bottles, then lifts her eyes to the upper right as if listening; hand lowers slightly. Products are static.taras-S29 1:55.5–1:57.5 CU · Frontal close-up hold; almost no motion beyond a micro head settle and lip tension.taras-S30 1:57.5–2:06.0 MS · 117.5-119.7: mentor holds the magenta HANBIT tube in both hands and places it into heroine's hands, both looking down. ~119.7-121.0: hands close together and both heads lift; mentor turns to face heroine. 121-126: profile two-shot hold, hands clasped between them, both smiling; the tube is no longer visible anywhere (it has vanished inside the clasped hands). Camera creeps in slowly through the whole take.taras-S31 2:06.0–2:10.5 INSERT · A right hand holds the magenta tube upright; the tube slowly comes toward camera / camera pushes until the tube fills the frame with the cap at the bottom; slight rotation of the label toward camera. Label reads 'HANBIT SKINCARE / ARBUTIN 7.0+TXA 4.0 CREAM / 50ml'.taras-S32 2:10.5–2:12.0 MCU · Mirror reflection: heroine dabs a white blob of cream onto her right cheek with the fingers of her right hand; her left hand holds the magenta tube in the lower foreground; her real head/shoulder is a dark mass at frame left. Fingers move slightly; otherwise static.taras-S33 2:12.0–2:19.0 ECU · Extreme close-up on the left half of her face with her reflection behind; camera pushes in over ~7 s to an extreme close-up of eye and cheek; at ~135.0 her fingertips enter from the lower right and press the cheek; two blinks; a faint smile begins at 138.8.taras-S34 2:19.0–2:27.0 MS · Heroine crouches to daughter's eye level, hands on her knee; they hold eye contact; at ~144.5 the daughter raises her right hand, at ~145.0-146.0 she touches her mother's cheek, heroine tilts into it and closes her eyes, hand drops by ~146.5. Camera pushes in slowly.taras-S35 2:27.0–2:32.5 MCU · Frontal MCU: right hand cupped against her cheek; she stares just off-lens (at her reflection), mouth open; over ~4 s the expression relaxes into a full smile with teeth; camera pushes in to a tighter head-and-hand frame. Continuous take, no cut at 149.5 or 151.0 (those are caption off/on).taras-S35 2:27.2–2:32.3 MCU · Static hold: heroine's right hand rests on her right cheek (fingers along the jaw) while she beams at the mirror; head tilts a few degrees; at ~152.0 the hand starts to lower. No object contact other than her own cheek.taras-S36 2:32.3–2:35.8 CU · Push-in from MCU (shoulders visible) to tight CU (chin cropped). Hand has dropped from cheek; from ~154.5 both hands come up clasped at the chin/lower frame edge (fingers visible bottom-left at 155.0-155.5). Mouth opens/closes loosely, not lip-synced.taras-S37 2:35.8–2:41.0 MS · Daughter seated at grand piano, fingers moving on the keys (hand positions change frame to frame); audience behind claps. Camera pushes in from MS (piano lid, keyboard, bench) to MCU on her face with keys bottom-right, with slight lateral drift. Heroine NOT in frame.taras-S38 2:41.0–2:49.3 MS · One continuous drifting take. Blonde sits at heroine's screen-RIGHT (161.0-161.5), then disappears as the camera orbits (162-162.75), a blonde head appears at the screen-LEFT edge (163.0-164.75, face visible 164.5), vanishes again (165.0), and re-emerges at screen-RIGHT (165.25-169.3) as the heroine turns her head right into profile and the two look at each other. Heroine's hands stay in her lap; no object contact.taras-S39 2:49.3–2:53.5 MCU · Heroine stands still facing camera, then closes her eyes and rotates her head to screen-right and holds there, smiling at someone off-frame. Camera creeps in. No blonde in frame; no walk-up shown.taras-S40 2:53.5–2:58.9 CU · Static pose, continuous slow push-in from head-and-shoulders to eyes-nose-mouth; no gesture, no object; mouth stays closed.taras-S41 2:58.9–3:01.9 CU · Static pose, push-in; no gesture. The blurred blonde figure remains in the left background (recedes), matching the source staging.taras-S42 3:01.9–3:04.2 MLS · Mother and daughter walk out through the doorway hand in hand toward camera; daughter's head tilted up at mother; mother's free left arm swings; both take ~2 steps.taras-S43 3:04.2–3:08.4 MS · Heroine holds the magenta HANBIT tube upright in both hands at chest height, label to camera (right hand cupping the top, left hand at the base), and presents it; no pointing gesture, no application. Tube label: 'HANBIT SKINCARE' legible; the vertical ingredient text is garbled/mirrored glyphs (reads like 'AREB3TN 7.4+TXA 4.2 CREAM'), unlike the clean end-card label.taras-S44 3:08.4–3:14.2 CARD · Fully static card (frames identical 188.5-193.5; max scene score 0.052 is the caption removal). Layout: 'HANBIT / SKINCARE' wordmark top-left; headline 'ЧИСТА ШКІРА.' (dark) / 'ВПЕВНЕНА ТИ.' (magenta); sub 'Щовечірній крем від пігментації.'; four magenta check bullets: 'Вирівнює тон — Освітлює пігментні плями', 'Повертає сяйво — Шкіра виглядає живою', 'Працює м'яко — Без печіння і лущення', 'Корейська формула — Арбутин і транексамова'; large tube render right with 'HANBIT SKINCARE / ARBUTIN 7.0+TXA 4.0 CREAM / 50 ml / 1.69 fl.oz.'; magenta CTA pill '▼ ПОСИЛАННЯ НИЖЧЕ ▼'; tiny grey disclaimer 'Догляд за шкірою · Не є лікарським засобом'.проблемная зона видна: before,n/a · 0:00.0продукт: in hand (generic unlabeled cream jar, not the brand product) · 0:03.1проблемная зона видна: before · 0:10.8проблемная зона видна: before · 0:28.5проблемная зона видна: before · 0:33.4продукт: in hand (generic jar labelled 'radiance hydrate' in english - not the brand product) · 0:38.3проблемная зона видна: before · 0:38.3продукт: in hand (generic jar; label reads 'lorem ipsum' - placeholder text visible at 2 fps and full res) · 0:41.8проблемная зона видна: before · 0:41.8продукт: in hand (generic small jar, silver lid) · 0:45.0проблемная зона видна: before · 0:45.0продукт: in hand (generic competitor cream jar, not hanbit) · 0:45.0проблемная зона видна: before · 0:45.0проблемная зона видна: before · 0:50.5проблемная зона видна: before,n/a · 0:53.8проблемная зона видна: before · 1:00.6проблемная зона видна: before · 1:09.6проблемная зона видна: before,n/a · 1:15.2проблемная зона видна: before · 1:20.4проблемная зона видна: before · 1:24.5проблемная зона видна: before · 1:30.0проблемная зона видна: before,n/a · 1:40.0продукт: no (only the old competitor lineup - generic bottles with gibberish labels) · 1:50.0продукт: in hand (117.5-~119.7 only; hidden after the hand-clasp) · 1:57.5проблемная зона видна: before,n/a · 1:57.5продукт: packshot (in hand) · 2:06.0продукт: being applied + in hand · 2:10.5проблемная зона видна: application · 2:10.5проблемная зона видна: intermediate as claimed by caption, but visually before (not lighter) · 2:12.0проблемная зона видна: resolved · 2:27.2проблемная зона видна: resolved · 2:32.3проблемная зона видна: n/a,resolved · 2:41.0проблемная зона видна: n/a,resolved · 2:49.3проблемная зона видна: resolved · 2:53.5проблемная зона видна: n/a,resolved · 2:58.9проблемная зона видна: n/a,resolved · 3:01.9продукт: in hand (packshot-style presentation) · 3:04.2проблемная зона видна: resolved · 3:04.2продукт: card · 3:08.4CustomTarasFinal · 3:14.2 · планов: 49 · титров: 83 · зелёная полоса = продукт в кадре · нижняя полоса = видна проблемная зона (розовая до / жёлтая частично / синяя решено)
КрупностьECUCUMCUMSMLSWSINSERTCARD
Оригинал targ (47 планов)0 0%3 6%6 13%18 38%5 11%9 19%2 4%1 2%
Наш фильм v07 (46 планов)0 0%7 15%7 15%18 39%5 11%6 13%1 2%1 2%
CustomTarasFinal (49 планов)3 6%13 27%15 31%11 22%2 4%2 4%2 4%1 2%

Сколько секунд экрана проблема реально видна

Считается только героиня (носитель проблемы), по леджерам: состояние в кадре × длительность плана. Состояние рекомендательницы — отдельное утверждение и здесь не суммируется.

донанесениечастичнорешеновсего виднакрупные планы (ECU+CU)
Оригинал targ89.3 с 46.0%4.1 с 2.1%5.3 с 2.7%47.8 с 24.6%154.6 с 79.6%13.3 с 6.8%
Наш фильм v0779.8 с 33.3%6.1 с 2.5%17.5 с 7.3%52.6 с 21.9%164.0 с 68.4%35.2 с 14.7%
CustomTarasFinal75.9 с 39.1%1.5 с 0.8%0.0 с 0.0%36.1 с 18.6%120.5 с 62.0%64.3 с 33.1%

ИЗМЕРЕНИЯ · ПЕСНЯ И ЗВУК

Один и тот же рассказ: 194 с у оригинала и у Тараса, 240 с у нас

Оригинал targНаш фильм v07CustomTarasFinal
Длительность3:14.33:59.73:14.2
Спето (первое → последнее слово)0:00.0 → 3:08.60:00.0 → 3:59.40:00.0 → 3:13.9
Слов (ASR)471404312
Слогов (ASR-текст)645762620
Слогов в спетом тексте (по картам/титрам)≈625–645770 (прозаический скрипт lyrics_uk-v07: 847)626
Слогов в минуту205.2191.0191.8
Спетых фраз (ASR-сегментов)757043
Пауз > 1 с внутри песни105
Доля времени с голосом (vocal stem)0.710.790.58
Темп (librosa) / кандидаты103.36 · 103.4, 69.8, 198.8103.36 · 103.4, 68.0, 198.8152.0 · 152.0, 78.3, 103.4
Тональность (оценка)F major (0.78), C major (0.64)C major (0.76), F major (0.76)A minor (0.83), A major (0.56)
Транспозиция к оригиналу по хроме—0 п/т10 п/т
Диапазон вокала P5–P95G3–A4 (14.1 п/т)A3–A4 (12.5 п/т)A3–C5 (15.1 п/т)
Динамика вокала (σ RMS, дБ)5.895.636.57
Громкость / LRA-14.2 LUFS / 4.4 LU-15.0 LUFS / 3.3 LU-14.9 LUFS / 3.5 LU
Первый звук вокала0.116 с0.046 с0.906 с
Планов (автодетект) / медиана длины42 / 4.48 с38 / 5.97 с45 / 4.17 с
Планов по леджеру / титров47 / 8946 / 8949 / 83
P10 / P90 длины плана1.7 / 8.767 с2.5 / 10.9 с1.708 / 7.083 с
Склейка → ближайшее начало слова (медиана)113.0 мс173.0 мс233.0 мс
Склейка → начало фразы (медиана)387.0 мс953.0 мс1058.5 мс

Темп/тональность — оценки librosa по полному миксу (алгоритмические, с оговорками); слоги — счёт гласных по ASR-тексту (для нашей песни авторитетен спетый текст song-v02 (770 слогов), а не прозаический скрипт lyrics_uk-v07 (847)). Склейки — автодетект scene score ≥ 0.3; расстояния до слов/фраз — по ASR-таймкодам. Полные данные: summary.json, cut-alignment.json, music-similarity.json.

ВОРОТА ПРОПОРЦИЙ · ИЗМЕРЕНО, А НЕ МНЕНИЕ

17 порогов, выведенных из оригинала: наш фильм проваливает 12, любимый владельцем — 1

Ни один существующий гейт проекта не сравнивает величину с оригиналом: они считают полноту (43/43 плана, 217/217 событий, 65/65 мыслей). Эти ворота считают долю. Пороги — отношение к своему оригиналу, поэтому та же таблица применима к любому следующему референсу. Считает tools/video_dna_budget.py.

ГейтОригиналНаш v07×CustomTarasFinal×Порог и зачем
B01
Спетые слоги		645762×1.18провал620×0.96прошло≤ 1.05× от оригинала
Плотность пения одинакова, поэтому лишние слоги = лишние секунды 1:1.
B02
Длительность вокала		188.56239.4×1.27провал193.94×1.03прошло≤ 1.05× от оригинала
Держит фильм в длительности оригинала.
B03
Число спетых фраз		7570×0.93прошло43×0.57прошло≤ 1.1× от оригинала
Фразы должны идти по музыке, а не по карточкам титров.
B04
Паузы ≥ 1 с		10×0.00провал5×5.00прошло≥ 0.75× от оригинала
Воздух в вокале — это места, где картинка играет.
B05
Самый длинный кусок без паузы		95.66239.4×2.50провал82.56×0.86прошло≤ 1.25× от оригинала
Длинный поток без вдоха звучит как проза.
B06
Медиана длины плана		4.34.83×1.12прошло4.17×0.97прошло≤ 1.15× от оригинала
Темп монтажа наследуется от оригинала.
B07
Планов длиннее 8 с		58×1.60провал2×0.40прошло≤ 1.25× от оригинала
Растянутые планы — прямое следствие длинной песни.
B08
Доля крупных планов (ECU/CU/MCU)		0.2340.326×1.39прошло0.633×2.71прошло≥ 0.85× от оригинала
На крупных планах видно и эмоцию, и проблему.
B09
Вставки без лиц		21×0.50провал2×1.00прошло≥ 0.75× от оригинала
Вставки несут смысл без диалога и держат ритм.
B10
Доля планов с движением камеры		0.2130.261×1.23прошло0.51×2.39прошло≥ 0.75× от оригинала
Движение внутри длинного плана не даёт ему замереть.
B11
Доля времени, где видна проблема (состояние «до»)		0.8720.654×0.75провал0.872×1.00прошло≥ 0.85× от оригинала
Продавать можно только ту проблему, которую видно.
B12
Первый кадр, где проблема читается (доля хронометража)		0.00.1126+0.1126провал0.0+0.0000прошло≤ 0.05 (разница долей)
Проблему показывают в начале, а не к середине: допуск +5 % хронометража к моменту оригинала.
B13
Слоги CTA		1540×2.67провал14×0.93прошло≤ 1.1× от оригинала
Финал оригинала — одна фраза на одном дыхании.
B14
Секунды CTA		7.012.68×1.81провал4.02×0.57прошло≤ 1.15× от оригинала
Длинный призыв превращает историю в рекламу.
B15
Сколько раз бренд спет		12×2.00провал1×1.00прошло≤ 1.0× от оригинала
Бренд называют один раз, последней мыслью.
B16
Момент показа продукта, доля хронометража		0.5630.575×1.02прошло0.649×1.15провал≤ 1.15× от оригинала
Ранний показ продукта убивает интригу предмета.
B17
Длительность финальной карточки		5.874.5×0.77провал5.75×0.98прошло≥ 0.85× от оригинала
Карточка должна дочитываться.

Наш фильм: 5 прошло / 12 провал. CustomTarasFinal: 16 прошло / 1 провал. Провал ворот не запрещает решение режиссёра — он требует версионного обоснования до покупки. Данные: бюджет оригинала, наши ворота, ворота Тараса.

МИКРО · ТЕКСТ

65 карточек оригинала → 43 фразы Тараса → 65 строк нашей песни

0:00.00:30.01:00.01:30.02:00.02:30.03:00.00:00.01:00.02:00.03:00.04:00.0y = время той же карточки в версии; x = время в оригинале. Пунктир = 1:1. ■ CustomTarasFinal ■ наша song-v02
#ОригиналCustomTarasFinalНаша song-v02
10:00.0I ran into my ex husband's new wife at Target13 сл. · 3.53 сЯ зустріла нову дружину чоловіка0:00.0 · condensed · 13 сл. · drops 'at Target' and 'ex-' (чоловіка = husband, not ex-husband)Зустріла в крамниці Нову дружину колишнього.0:00.0 · literal · 15 сл. · Target -> unnamed крамниця (store)
20:03.5She was thirty four5 сл. · 1.77 сїй тридцять два0:04.3 · literal · 4 сл. · number changed 34 -> 32 (caption card reads 'їй тридцять два')Їй — тридцять чотири.0:04.1 · literal · 6 сл. ·
30:05.3She looked at me like she felt sorry for me11 сл. · 3.5 сВона глянула на мене, наче їй мене шкода0:05.6 · literal · 15 сл. · Дивилась, мов шкода мене.0:06.2 · literal · 8 сл. · compressed to 7 syl: 'Дивилась, мов шкода мене' (lyrics_uk-v07.txt has the longer 'Вона глянула так, ніби їй мене шкода')
40:08.8That was in March4 сл. · 1.2 сЦе був березень0:10.2 · literal · 5 сл. · То був березень.0:08.8 · literal · 5 сл. ·
50:10.0Mark and I were married sixteen years9 сл. · 2.1 сМи з Андрієм прожили шістнадцять років0:12.1 · literal · 12 сл. · Mark -> Андрій; 'married' -> 'прожили' (lived)Ми з Андрієм шістнадцять років Були у шлюбі.0:10.4 · literal · 14 сл. · Mark -> Андрій
60:12.1Then he left for someone from his office Cliché,12 сл. · 3.1 сПотім він пішов до дівчини з офісу. Банально,0:16.7 · literal · 15 сл. · 'someone' -> 'дівчини' (a girl)Він пішов до колеги з офісу. Банально,0:14.9 · literal · 13 сл. · 'Then' dropped
70:15.2I know She's the kind of pretty that doesn't have to try yet15 сл. · 4.8 ся знаю. Вона з тих, кому не треба старатись0:20.6 · literal · 14 сл. · 'yet' carried by next cardя знаю. Їй бути гарною легко —0:19.3 · rephrased · 11 сл. · 'the kind of pretty that doesn't have to try' -> 'Їй бути гарною легко' (being beautiful is easy for her)
80:20.0Because time hadn't shown up yet8 сл. · 3.0 сБо час до неї ще не дійшов0:25.2 · literal · 9 сл. · Ще не торкнувся її час.0:22.5 · literal · 8 сл. · 'time hadn't shown up yet' -> 'Ще не торкнувся її час' (time hasn't touched her yet)
90:23.0By March I wasn't fine I looked like I had aged12 сл. · 2.8 сЯ постаріла0:28.1 · condensed · 5 сл. · 'By March I wasn't fine' dropped; 'I looked like I had aged' -> 'Я постаріла' (I aged); merged with card 10А я у березні себе Уже не впізнавала.0:25.0 · rephrased · 15 сл. · 'I wasn't fine, I looked like I had aged' -> 'себе уже не впізнавала' (no longer recognised myself)
100:25.8five years in six months Stress will do that Crying every night15 сл. · 4.6 сна п'ять років за півроку, стрес це робить, сльози щоночі0:29.9 · literal · 17 сл. · refrain 'will do that' kept as 'це робить'За пів року постаріла, Мов на п’ять років. Стрес і сльози щоночі.0:28.3 · literal · 20 сл. · refrain 'will do that' dropped; content kept
110:30.4will do that Holding your kids together will do that13 сл. · 2.6 сце роблять.0:34.4 · dropped · 3 сл. · 'Holding your kids together will do that' DROPPED; only the refrain tail 'це роблять' (they do that) survivesБула дітям опорою, Хоч сама ледь трималась.0:35.5 · expanded · 15 сл. · 'Holding your kids together will do that' -> 'Була дітям опорою, хоч сама ледь трималась' adds 'though I myself barely held on'
120:33.0I was at Target that Saturday Leggings,11 сл. · 2.2 сЯ стояла там у суботу,0:35.4 · condensed · 9 сл. · 'Target' -> 'там' (there); 'Leggings' droppedУ суботу зайшла до крамниці.0:41.7 · literal · 10 сл. · Target -> крамниця; 'Leggings' moved to next line
130:35.2no makeup, hair in a bun Staring at another cream14 сл. · 3.2 сбез макіяжу, волосся в пучок, дивилась на черговий крем,0:37.9 · literal · 18 сл. · 'another cream' -> 'черговий крем' (yet another)Лосини, без макіяжу, Волосся зібране в пучок. Стою, дивлюся на крем.0:43.9 · expanded · 23 сл. · adds 'Стою' (I stand) and takes 'Лосини' from card 12; 3 sub-phrases
140:38.4that wouldn't work I had already tried every single one16 сл. · 3.73 сякий знову не спрацює.0:44.7 · condensed · 8 сл. · 'I had already tried every single one' folded into one word 'знову' (again)Та чи допоможе і цей? Я стільки вже перепробувала.0:50.8 · literal · 18 сл. ·
150:42.1Then I heard her voice one aisle over Knew10 сл. · 2.27 сПотім почула її голос через ряд, я знала,0:48.1 · literal · 15 сл. · Із сусіднього ряду — голос.0:56.0 · literal · 9 сл. ·
160:44.4it was her before she came around She saw me12 сл. · 2.8 сщо це вона,0:52.1 · condensed · 4 сл. · 'before she came around' and 'She saw me' droppedЩе не бачу — знаю, вона. Вона мене впізнала.0:58.0 · literal · 15 сл. ·
170:47.2And I watched her face do the thing Forehead, cheeks, jaw12 сл. · 3.6 сІ побачила, як її обличчя робить оте. Лоб, щоки, підборіддя,0:53.1 · literal · 22 сл. · 1.7 s music gap 58.3-60.1 inside this card; ASR 'Лоб, шок і підборіття' corrected from captionЇї погляд ковзає вниз — Від обличчя до шиї.1:02.7 · rephrased · 15 сл. · PRODUCT-DRIVEN: 'Forehead, cheeks, jaw' -> 'погляд ковзає вниз — від обличчя до шиї' (gaze slides down from face to neck)
180:50.8Two second scan, that sting6 сл. · 1.6 сдві секунди і все зчитано1:02.6 · rephrased · 9 сл. · 'that sting' -> 'все зчитано' (everything read/scanned); ASR 'вся щитана' corrected from captionДві секунди. Як болить!1:07.0 · literal · 7 сл. ·
190:52.4Then she smiled And it wasn't mean,8 сл. · 2.4 сПотім вона усміхнулась1:06.4 · condensed · 8 сл. · 'And it wasn't mean' folded into the next comparison; 1.8 s gap 64.5-66.4 before itВсміхнулась — і ні краплі злості.1:09.2 · literal · 9 сл. ·
200:54.8it was worse Sympathetic Like she was looking12 сл. · 3.0 сі це було гірше за зневагу. Наче дивилась1:08.9 · rephrased · 15 сл. · 'it was worse. Sympathetic' -> 'worse than contempt' (гірше за зневагу); 'Sympathetic' not saidСпівчуття. Від нього ще гірше.1:12.4 · literal · 9 сл. ·
210:57.8at the before version of the woman her husband loved first15 сл. · 5.2 сна стару версію жінки, яку її чоловік любив першою1:13.6 · literal · 20 сл. · 'before version' -> 'стару версію' (old version)Ніби я — лиш бліда тінь Жінки, яку її чоловік Кохав першою.1:15.0 · literal · 21 сл. · 'before version' -> 'бліда тінь' (pale shadow) image swap
221:03.0I walked to my car and sat there for fifteen11 сл. · 2.4 сЯ дійшла до машини і просто сиділа1:19.4 · condensed · 13 сл. · 'for fifteen (minutes)' dropped -> 'просто сиділа' (just sat)Я пішла до авто. П’ятнадцять хвилин сиділа.1:20.7 · literal · 14 сл. ·
231:05.4I wasn't angry at her I was angry at what13 сл. · 3.8 сЯ злилась не на неї, я злилась на те,1:23.6 · literal · 12 сл. · Не на неї я злилась — На те, що бачила сама.1:27.2 · literal · 15 сл. ·
241:09.2I'd seen Melasma on my cheeks Patches on my forehead14 сл. · 6.2 сщо побачила. Пігментні плями на щоках,1:26.5 · condensed · 13 сл. · 'Patches on my forehead' dropped; 'Melasma' -> 'пігментні плями' (pigment spots)На шиї — дрібні заломи,1:32.4 · rephrased · 8 сл. · PRODUCT-DRIVEN: 'Melasma on my cheeks, patches on my forehead' -> 'На шиї — дрібні заломи' (fine creases on the neck)
251:15.4and lip Like the light had6 сл. · 1.6 сначе світло1:30.0 · condensed · 4 сл. · 'and lip' droppedЛінії впоперек. Шкіра на вигляд в’яла.1:35.2 · expanded · 13 сл. · PRODUCT-DRIVEN: 'and lip' -> 'Лінії впоперек. Шкіра на вигляд в'яла' (horizontal lines, skin looks slack) — two new symptoms
261:17.0gone out from inside5 сл. · 4.0 сзгасло зсередини1:30.9 · literal · 6 сл. · Ніби світло в мені згасло.1:39.8 · literal · 8 сл. ·
271:21.0That week at my daughter's dance pickup9 сл. · 2.6 сТого тижня біля студії танців доньки1:32.3 · literal · 13 сл. · У той тиждень забирала Доньку з танців.1:41.6 · literal · 12 сл. ·
281:23.6There's this Korean woman I'd see every day13 сл. · 2.5 сКореянка, яку я бачу щодня1:36.0 · literal · 11 сл. · Там Ірина — Бачу її майже щодня.1:45.4 · literal · 12 сл. · Korean woman -> Ірина (localisation rule)
291:26.1Mid fifties with flawless skin I had to say11 сл. · 4.5 сза п'ятдесят. І шкіра бездоганна, я спитала,1:38.9 · literal · 15 сл. · 'Mid fifties' -> 'за п'ятдесят' (over fifty)Їй п’ятдесят п’ять — шия гладенька. Я зважилась:1:48.7 · literal · 14 сл. · 'flawless skin' -> 'шия гладенька' (smooth neck)
301:30.6What do you use, your skin is a dream9 сл. · 4.8 счим вона користується1:43.0 · condensed · 8 сл. · direct quote -> reported speech; 'your skin is a dream' dropped«Чим ви доглядаєте шию? Про таку я тільки мрію».1:52.7 · literal · 17 сл. · 'your skin is a dream' -> 'Про таку [шию] я тільки мрію'
311:35.4She laughed then looked at my face Said honey,10 сл. · 4.4 сВона подивилась на моє обличчя1:44.6 · condensed · 12 сл. · 'laughed' and 'honey' droppedВсміхнулась і глянула на шию:1:57.7 · literal · 10 сл. · 'laughed... at my face, said honey' -> 'Всміхнулась і глянула на шию'
321:39.8what are you using I told her Tri-Luma,11 сл. · 3.0 сСпитала: а ти чим? Я перелічила1:48.3 · condensed · 12 сл. · 'Tri-Luma' (brand) dropped; 'I told her' -> 'перелічила' (listed)«А чим ти користуєшся?» Кажу: «Креми для обличчя.2:01.2 · rephrased · 16 сл. · 'Tri-Luma' -> 'Креми для обличчя' (face creams)
331:42.8vitamin C, retinol, all the rest She said stop,13 сл. · 3.4 свсе: кислоти, вітамін С, ретинол. Вона сказала: зупинись,1:51.5 · literal · 18 сл. · 'all the rest' fronted as 'все'; 'кислоти' (acids) added; ASR 'серетину' corrected to 'ретинол' from captionІ гелі, й маски перепробувала».2:06.2 · rephrased · 11 сл. · 'vitamin C, retinol, all the rest' -> 'гелі, й маски' (gels and masks) — category correction v07
341:46.2all of that is making it worse8 сл. · 2.6 сусе це робить тільки гірше1:55.9 · literal · 9 сл. · «А шия? Їй щодня Потрібен власний догляд».2:10.6 · rephrased · 13 сл. · 'stop, all of that is making it worse' -> 'А шия? Їй щодня потрібен власний догляд' — mentor no longer says STOP; says the neck needs its own daily care
351:48.8Next day she put a pink tube7 сл. · 1.6 сНаступного дня вона вклала мені рожевий тюбик1:57.7 · literal · 16 сл. · Назавтра дала мені баночку.2:16.7 · literal · 10 сл. · 'pink tube' -> 'баночку' (jar)
361:50.4in my hand Korean writing,8 сл. · 2.2 сКорейські літери2:01.0 · condensed · 6 сл. · 'in my hand' absorbed by 'вклала мені' (put into my [hand])go pure. Я стала читати:2:19.4 · rephrased · 8 сл. · 'Korean writing' -> brand name 'go pure'; adds 'Я стала читати' (I started reading)
371:52.6something I'd never tried Use this every night12 сл. · 5.2 снаноси щовечора2:02.5 · condensed · 7 сл. · 'something I'd never tried' dropped; 1.5 s melisma on 'на' (122.46-124.02); ASR 'на носи' corrected to 'наноси' from caption«Крем для шиї. На чисту шкіру — Тонкий шар, щодня.2:21.6 · expanded · 14 сл. · 'something I'd never tried / Use this every night' -> 'Крем для шиї. На чисту шкіру — тонкий шар, щодня' = product + usage instruction
381:57.8Throw the rest aside5 сл. · 1.4 сРешту викинь2:05.4 · literal · 4 сл. · Легенько, знизу вгору, Без обіцянок чудес».2:26.2 · added · 14 сл. · 'Throw the rest aside' is NOT sung; replaced by 'Легенько, знизу вгору, без обіцянок чудес' (gently, upward strokes, no promise of miracles)
391:59.2I squeezed some out and it felt right No peeling, no sting13 сл. · 3.7 сЯ вичавила краплю, не пекло, не лущило2:07.2 · condensed · 14 сл. · 'and it felt right' dropped; 'some' -> 'краплю' (a drop)Я крем нанесла — легко ковзає, Зволожує шкіру.2:30.8 · rephrased · 16 сл. · 'felt right, no peeling, no sting' -> 'легко ковзає, зволожує шкіру' (glides easily, moisturises) — feel claim, not tolerance claim
402:02.9Three weeks later I looked in the mirror and stopped12 сл. · 2.9 сЧерез три тижні я глянула в дзеркало і зупинилась2:11.7 · literal · 17 сл. · Минуло кілька тижнів — Я біля дзеркала завмерла:2:35.5 · literal · 16 сл. · 'Three weeks later' softened to 'Минуло кілька тижнів' (a few weeks)
412:05.8The patches on my cheeks were lighter9 сл. · 2.4 сПлями стали світлішими2:16.4 · literal · 8 сл. · 'on my cheeks' dropped (minor)Заломи вже не так помітні.2:40.3 · literal · 9 сл. · patches -> заломи (creases)
422:08.2My daughter came home5 сл. · 2.0 сДонька сказала,2:18.4 · condensed · 5 сл. · 'came home' droppedДонька прийшла додому:2:42.9 · literal · 7 сл. ·
432:10.2and said Mom you look different,8 сл. · 2.2 смам, ти якась інша,2:20.8 · literal · 6 сл. · «Мамо, ти сьогодні інша.2:44.4 · literal · 8 сл. ·
442:12.4good different, brighter6 сл. · 2.0 ссвітліша2:22.4 · condensed · 3 сл. · 'good different' dropped; 'brighter' held 2.1 sГарна інша. Наче світла більше».2:47.5 · literal · 10 сл. ·
452:14.4By week six I was in shock7 сл. · 4.0 сНа шостому тижні2:24.5 · condensed · 6 сл. · 'I was in shock' droppedМинув ще час. Мій догляд тривав І знову шию порівняла:2:49.6 · expanded · 18 сл. · 'By week six I was in shock' -> 'Минув ще час. Мій догляд тривав і знову шию порівняла' (time passed, my care continued, I compared my neck again) — no week count, no shock
462:18.4The melasma was almost gone8 сл. · 1.8 спігментації майже не було2:26.6 · literal · 10 сл. · ASR 'півментації' corrected from caption; 1.8 s gap 148.9-150.7 afterВона помітно гладша,2:57.4 · rephrased · 7 сл. · 'melasma was almost gone' -> 'Вона помітно гладша' (noticeably smoother)
472:20.2My skin more even than it had in9 сл. · 2.8 сШкіра рівна, як не була2:30.7 · literal · 8 сл. · На вигляд — пружніша. І лінії впоперек Уже не так помітні.2:59.7 · expanded · 20 сл. · 'more even than it had in [a decade]' -> 'пружніша. І лінії впоперек уже не так помітні' — two claims, repeats card 41's wording
482:23.0a decade No foundation on8 сл. · 3.4 сдесять років без тонального2:32.9 · literal · 9 сл. · Я лишилась собою. І шию більше не ховаю.3:03.6 · rephrased · 16 сл. · 'a decade / No foundation on' -> 'Я лишилась собою. І шию більше не ховаю' (I stayed myself; I no longer hide my neck)
492:26.4Then June happened Piano7 сл. · 2.2 сПотім настав червень, концерт, фортепіано2:35.2 · literal · 13 сл. · У червні — концерт.3:09.1 · literal · 5 сл. ·
502:28.6recital for my daughter's class8 сл. · 2.2 св класі доньки,2:39.9 · literal · 4 сл. · Доньчин клас грав на фортепіано.3:11.0 · literal · 10 сл. ·
512:30.8Mark's wife sat down a few seats from me9 сл. · 4.4 сдружина Андрія сіла поруч2:41.5 · condensed · 10 сл. · 'a few seats from me' -> 'поруч' (next to me)Андрія нова дружина Через кілька місць від мене сіла.3:14.1 · literal · 18 сл. ·
522:35.2She looked at me Not pity, not sympathy Just confused14 сл. · 4.67 сНе жаль, не співчуття, просто розгублено2:44.2 · condensed · 12 сл. · 'She looked at me' droppedГлянула. Не жаль, не співчуття — В очах лише здивування.3:18.6 · literal · 17 сл. ·
532:39.9After the recital she walked8 сл. · 1.93 сПісля концерту вона підійшла,2:47.6 · literal · 10 сл. · Після концерту сама3:23.3 · literal · 7 сл. ·
542:41.8up to me3 сл. · 2.0 с— · merged · 0 сл. · 'up to me' merged into 'підійшла' (card 53)До мене підійшла:3:25.1 · literal · 6 сл. ·
552:43.8Said you look really good6 сл. · 3.2 ссказала: Ти чудово виглядаєш,2:51.0 · literal · 11 сл. · «Ти дуже добре виглядаєш,3:27.4 · literal · 9 сл. ·
562:47.0by the way3 сл. · 1.6 с— · dropped · 0 сл. · 'by the way' droppedДо речі».3:30.4 · literal · 3 сл. ·
572:48.6same woman who made me6 сл. · 1.6 ста сама жінка, через яку я2:53.3 · literal · 10 сл. · Та ж жінка. Після зустрічі з нею3:31.4 · rephrased · 10 сл. · 'who made me sit' -> 'Після зустрічі з нею' (after meeting her)
582:50.2sit in my car that day6 сл. · 3.4 ссиділа тоді в машині2:56.0 · literal · 8 сл. · Я в той день у машині сиділа.3:35.5 · literal · 10 сл. ·
592:53.6I said thank you4 сл. · 1.4 сЯ сказала дякую,2:58.0 · literal · 7 сл. · «Дякую», — сказала3:38.5 · literal · 6 сл. ·
602:55.0And I meant it too5 сл. · 1.4 с— · dropped · 0 сл. · 'And I meant it too' droppedщиро.3:39.7 · literal · 2 сл. · 'And I meant it too' -> single word 'щиро' (sincerely)
612:56.4Not because her opinion mattered9 сл. · 2.4 сне тому, що її думка щось важить3:00.9 · literal · 11 сл. · Її думка — не головна.3:40.6 · rephrased · 8 сл. · 'Not because her opinion mattered' -> 'Її думка — не головна' (her opinion is not the main thing)
622:58.8But because mine finally did8 сл. · 3.8 сА тому, що моя нарешті важить3:04.0 · literal · 11 сл. · 'важить' held 1.3 s; 1.2 s gap afterБо нарешті я ціную Те, що думаю сама.3:42.2 · rephrased · 15 сл. · 'But because mine finally did' -> 'Бо нарешті я ціную те, що думаю сама' (because I finally value what I think)
633:02.6The cream is called Seora6 сл. · 2.8 сКрем називається Ханбіт,3:09.9 · literal · 8 сл. · brand Seora -> Ханбіт (HANBIT); on-screen it is already the end cardgo pure — це крем для шиї. Результат у кожної свій.3:46.7 · expanded · 15 сл. · 'The cream is called Seora' -> 'go pure — це крем для шиї' + ADDED 'Результат у кожної свій' (results vary)
643:05.4The link's below4 сл. · 2.4 спосилання нижче3:12.5 · literal · 6 сл. · Посилання внизу. У формі — ім’я й телефон лиши,3:52.1 · expanded · 16 сл. · 'The link's below' + ADDED 'У формі — ім'я й телефон лиши' (leave name and phone in the form)
653:07.8If you need it4 сл. · 0.7 с— · dropped · 0 сл. · 'If you need it' droppedЯкщо такий догляд потрібен тобі.3:56.2 · expanded · 11 сл. · 'If you need it' -> 'Якщо такий догляд потрібен тобі' (if you need such care)
Разбор выравнивания ↗Песенная редактура ↗Продающая логика ↗

МИКРО · ТИТРЫ

Титры

ПозицияПлашка / шрифтКарточкаПрочие слои
Оригинал targcentred horizontally, lower-middle of frame (box centre ~70-75% down), never at the very bottomwhite rounded rectangle, generous padding, no outline/shadow, opaque; single box per card; bold geometric sans (Poppins-like), black, ~2 text lines high; identical size on every card2 стр. · медиана 9 слов · 3.0 сnone in 0-50 s: no logo, no disclaimer strip, no product card; only diegetic Target signage
Наш фильм v07lower third, centered, box bottom edge ~15% above frame bottom (roughly 78-88% of frame height)solid white rounded-rectangle pill, ~85-90% frame width, generous padding; no drop shadow; bold humanist sans-serif (Open Sans / Noto Sans Bold-like), black, ~5% frame height, tight leading1-3 (median 2) стр. · медиана 7 слов · 3.5 сnone in 0-60 s: no logo, no disclaimer strip, no product card; the white-flash frame at 14.5 s carries no caption
CustomTarasFinalcentred horizontally, lower-middle of frame (box centre at roughly 68-72% of frame height), overlapping chest/hands of the subjectsolid white rounded-rectangle pill with generous padding; no border, no shadow; one box per card; heavy geometric sans (Inter/Manrope-like bold), black text, centred alignment, ~4% of frame height per line1.4 стр. · медиана 5 слов · 3.2 сnone in 0-50 s: no logo, no brand watermark, no disclaimer strip, no progress bar, no store branding. Generated in-world text is garbled or placeholder (shelf signs, 'RADIANCE HYDRATE', 'Lorem ipsum').

МИКРО · КАДР ЗА КАДРОМ

Ленты планов

Оригинал targ

Оригинал targ 0:00.0
0:00.0–0:03.9 MS
Heroine foreground-left holds a small white cream box at chest and studies it (0-1 s); box jumps to her right hip while she turns her head over her shoulder toward the blonde standing mid-depth right (1.5-2.5 s); turns back to camera with a stunned face (3.0 s). At 3.4 s a white crumpled-paper hole opens over her torso revealing the blonde balcony portrait.
I ran into my ex husband's new wife at Target
Оригинал targ 0:03.9
0:03.9–0:03.9 MS
Static aspirational portrait; blonde rests left hand on railing, no other movement. From ~5.0 s the image enlarges and defocuses (radial zoom blur) into the next shot.
She was thirty four
Оригинал targ 0:03.9
0:03.9–0:09.8 MS
Two women stand shoulder to shoulder; blonde leans in and visually scans heroine's cheeks; heroine holds still, glances sideways, swallows. No hands or product visible (box from S01 is gone).
She looked at me like she felt sorry for me
Оригинал targ 0:09.8
0:09.8–0:11.9 MS
Couple stands side by side laughing; groom turns and pulls bride into a hug, she lifts the bouquet behind his back (11.0-11.8 s). Then white exposure pulses flash over the embrace.
That was in March
Оригинал targ 0:11.9
0:11.9–0:12.0 MS
Couple stands side by side laughing; groom turns and pulls bride into a hug, she lifts the bouquet behind his back (11.0-11.8 s). Then white exposure pulses flash over the embrace.
That was in March
Оригинал targ 0:12.0
0:12.0–0:12.2 MLS
Mark carries a box across the threshold and out toward the car; door swings open left; camera drifts forward after him.
Then he left for someone from his office Cliché,
Оригинал targ 0:12.2
0:12.2–0:14.4 MLS
Mark carries a box across the threshold and out toward the car; door swings open left; camera drifts forward after him.
Then he left for someone from his office Cliché,
Оригинал targ 0:14.4
0:14.4–0:18.0 MLS
Couple dines: both laugh; Mark reaches across and covers her hand near the wine glasses (16.0-17.0 s); at 17.5 s they clink raised wine glasses. Candle, two plates.
Then he left for someone from his office Cliché,
Оригинал targ 0:18.0
0:18.0–0:23.0 MCU
Blonde drives, one hand on the wheel; minimal motion beyond blinks and smile changes. Steering-wheel/seat geometry shifts between 19.5 s and 20.0 s (wheel jumps right).
I know She's the kind of pretty that doesn't have to try yet
Оригинал targ 0:23.0
0:23.0–0:24.7 MS
Static crying pose; only slight shoulder/hand tremor.
By March I wasn't fine I looked like I had aged
Оригинал targ 0:24.7
0:24.7–0:27.5 CU
Heroine touches her cheek patch with her fingertips while examining her reflection; a tear tracks down at 26.5 s.
By March I wasn't fine I looked like I had aged
Оригинал targ 0:27.5
0:27.5–0:29.2 CU
Static stress pose with a single big eye-opening; no other movement.
five years in six months Stress will do that Crying every night
Оригинал targ 0:29.2
0:29.2–0:31.0 MS
Sits on bed edge, hands over face, faint rocking; nothing else moves.
five years in six months Stress will do that Crying every night
Оригинал targ 0:31.0
0:31.0–0:33.0 MS
Heroine stirs pot; two children appear in the doorway behind her and beam; she turns to them, then back to the stove with a heavy look. Hand near pot at 31.0 s is a motion smear.
will do that Holding your kids together will do that
Оригинал targ 0:33.0
0:33.0–0:37.1 WS
Heroine walks away from camera through the automatic doors into the store; carts and shoppers static; doors close in behind her.
I was at Target that Saturday Leggings,
Оригинал targ 0:37.1
0:37.1–0:39.3 MS
Holds the white cream box in both hands at sternum, reads it, then snaps her head up in surprise. Background shoppers static.
no makeup, hair in a bun Staring at another cream
Оригинал targ 0:39.3
0:39.3–0:42.1 INSERT
Detail pass over the clutter of previously tried products; heroine's hand lifts toward her face at top of frame.
that wouldn't work I had already tried every single one
Оригинал targ 0:42.1
0:42.1–0:47.0 MS
Holds box at sternum; hears a voice off-screen right: eyes lift and track, then closes eyes in recognition, then looks toward the sound. Box stays in hands.
Then I heard her voice one aisle over Knew
Оригинал targ 0:47.0
0:47.0–0:57.1 MS
Two women stand shoulder to shoulder facing camera; new wife (right, slightly behind) leans her head toward heroine and visibly scans her face; heroine's body stays rigid, arms at sides, cardigan sleeves pulled over hands; at ~55 heroine turns her face front to camera. No walking, no props; a single continuous generated clip.
And I watched her face do the thing Forehead, cheeks, jaw
Оригинал targ 0:57.1
0:57.1–1:03.2 MLS
Couple stands side by side; bride laughs up at groom (57.1-59.4); at 59.4-60.3 they turn into each other and embrace fast (groom's arm wraps her back, bride's head to his chest); 60.3-63.2 held embrace with slight sway. Soft scene-score bump 59.57-60.2 is this fast motion, NOT a cut (verified frames 1780-1810 continuous).
it was worse Sympathetic Like she was looking
Оригинал targ 1:03.2
1:03.2–1:07.1 WS
Heroine stands at open driver door (63.2), ducks and slides into the seat (63.8-64.8), the door swings shut (65.0-66.5) and she is a dark shape behind the window by 66.5-67.1. Only she moves; carts and cars static.
I walked to my car and sat there for fifteen
Оригинал targ 1:07.1
1:07.1–1:12.2 MCU
Both hands grip the wheel; she looks up-left into the rear-view mirror; the camera drifts up and in until the mirror fills the top third; tears run; no other movement.
I wasn't angry at her I was angry at what
Оригинал targ 1:12.2
1:12.2–1:20.9 CU
Frontal talking-head with no speech: hands rise to the face 73.0-74.6 then drop; head tilts; eyes close/open; final direct-to-camera stare. Micro-motion only.
I'd seen Melasma on my cheeks Patches on my forehead
Оригинал targ 1:20.9
1:20.9–1:30.3 WS
Heroine stands centre with arms at sides, weight still; mentor sits on the bench left reading; dancers move in the mirrored room; at 84.5 heroine glances down at the mentor; from 85.6 the image washes to white.
That week at my daughter's dance pickup
Оригинал targ 1:30.3
1:30.3–1:35.4 WS
Heroine bends at the waist toward the seated mentor with an open upturned palm (90.5-93.5), straightens and gestures with both hands/tilts head (93.5-95.4); mentor turns her head up to her; dancers rehearse arm positions behind the glass.
What do you use, your skin is a dream
Оригинал targ 1:35.4
1:35.4–1:40.5 WS
Blocking is reset at the cut (heroine now standing straight, mentor's head down laughing); mentor laughs, then lifts her gaze toward the heroine's face and stands up; from 98.9 the mentor's figure and the heroine's outline dissolve into motion smear while the bench, plant and dancers fade away.
She laughed then looked at my face Said honey,
Оригинал targ 1:40.5
1:40.5–1:45.1 INSERT
Static still-life of the 'old routine': orange dropper bottle labelled 'EQQUAL BERRY VITAMIN illuminating Serum' (red cap) with a spilled orange drip at its base; blue/white box 'Retin-A Cream 0.05%' leaning right with a squeezed silver tube beneath it; flat pink tube 'Tri-Luma' lying at lower-left; folded towel and a ring dish. No hands, no motion other than the slow drift.
what are you using I told her Tri-Luma,
Оригинал targ 1:45.1
1:45.1–1:49.4 MCU
Mentor speaks 3/4 to screen-right: 105.1 open palm out; 105.5-107.5 index finger raised and wagged ('stop'); 108.0 eyes closed, fist near chin for emphasis; 108.5-109.4 hand opens again, palm up toward the (off-screen) heroine.
vitamin C, retinol, all the rest She said stop,
Оригинал targ 1:49.4
1:49.4–1:58.8 MS (two-shot) -> MCU single after in-shot push-in
Heroine already holds the pink SEORA tube in both hands (109.4); mentor sits left with legs crossed. 110-113 heroine turns tube, examines it, mentor talks; 113.5-114.5 mentor's index finger points at the tube ('Use this'); 115.5-117.0 camera pushes in and drifts right, mentor slides out of frame; 117.0-118.8 heroine lifts the tube upright in both hands toward camera (label 'SEORA' readable), then looks to camera.
Next day she put a pink tube
Оригинал targ 1:58.8
1:58.8–2:02.9 MCU
119.0 squeezes white cream from the pink tube (right hand) into left palm; 119.5-120.0 tube now stands upright on the counter at right while she studies the cream in her palm; 120.5 eyes closed, right hand dabs right cheek; 121.0 both hands on cheeks; 121.5 hands down, two flat white cream ovals sit on the cheeks; 122.0-122.9 hands back on cheeks, eyes wide, faint smile.
Throw the rest aside
Оригинал targ 2:02.9
2:02.9–2:08.2 MCU (OTS mirror)
Heroine in profile at left leans on counter, right hand at cheek; reflection faces camera. 123-125.5 she touches/presses the cheek with fingertips, tilting the head; 126-128 fingers spread across the cheek, eyes widen, mouth opens; small head shake.
Three weeks later I looked in the mirror and stopped
Оригинал targ 2:08.2
2:08.2–2:16.3 MLS
Daughter (foreground left, back 3/4 to camera) looks up at mother standing right by the door. 128.2 mother's open palm, mouth open in surprise; 129 eyes-closed laugh; 130-132.5 mother looks down at daughter, small nods; 131-133 daughter's mouth moves and a small hand gesture; 133-134 mother's eyes widen, mouth opens; 134.5 right hand rises to chest, eyes closed; 135-136.3 wide grin, hand still on chest.
My daughter came home
Оригинал targ 2:16.3
2:16.3–2:23.0 MCU (OTS mirror)
Same OTS blocking as S31: real head in profile at left, reflection frontal. 136.3-140 right hand presses the cheek, small head turns as she inspects both sides; 140.5 smile appears; 141 eyes close in a laugh; 141.5-143 hand lowers to chin/jaw, big smile at her own reflection.
By week six I was in shock
Оригинал targ 2:23.0
2:23.0–2:26.4 MS
143.0 heroine enters bending from the right, dropping a black foundation bottle and a compact into the open pedal bin; 143.5-144.5 hand hovers/opens over the bin; 145.0 she rises out of frame top-right, hand pushing the lid; 145.5-146.4 empty frame: bin full of foundation bottles and compacts, lid tilted open.
a decade No foundation on
Оригинал targ 2:26.4
2:26.4–2:30.8 WS
OTS from behind the mother's head (left foreground) across audience rows to the daughter playing the grand piano on stage; only motion is the daughter's hands on the keys and the slow push.
Then June happened Piano
Оригинал targ 2:30.8
2:30.8–2:39.9 MS
After the zoom smear the same angle resumes with jumped poses: newWife now leans toward the heroine with one hand on the armrest and a wide-eyed stare; heroine sits back, hands in lap, holding a serene smile. Very little body movement; the beat is the newWife's face.
She looked at me Not pity, not sympathy Just confused
Оригинал targ 2:39.9
2:39.9–2:46.9 MS
newWife stands screen-left with her hand on her chest, delivering the compliment with a worried face; heroine stands screen-right, hands clasped low; at ~164.5 the heroine raises her right hand and touches the newWife's hand/forearm and keeps contact to the cut. newWife's left hand drifts toward the heroine's arm.
After the recital she walked
Оригинал targ 2:46.9
2:46.9–2:53.4 WS
newWife walks in from screen-left (167.0-168.0) and stops facing the heroine, who stands beside the car holding her bag; newWife gestures once with a raised hand (~168.5) then clasps her hands; heroine touches her own forearm/bag, smiles, briefly closes her eyes. At ~169.9-170.2 a circular feathered inset fades in top-left over the sky: inside it, the earlier car-interior memory (rear-view mirror showing the heroine's pigmented, crying face; a red Target bullseye sign visible through the windshield; hand on the wheel). The inset content pushes in continuously toward the mirror from 170 to 173.4 until the mirror face fills the circle.
by the way
Оригинал targ 2:53.4
2:53.4–3:00.3 MCU
Heroine stands at the open car door, three-quarter profile screen-left; head turn from the newWife (behind) to camera-right/upward, smile widens, then relaxes. No hand action visible.
I said thank you
Оригинал targ 3:00.3
3:00.3–3:02.5 MS
Heroine faces the mirror, one hand cupping her cheek (touching the healed skin), smiles at her reflection, then closes her eyes; back of her head and shoulder in the foreground. No camera movement.
But because mine finally did
Оригинал targ 3:02.5
3:02.5–3:08.5 MS
Seated on the couch, legs crossed, holding a magenta SEORA tube upright in her left hand at shoulder height with the label to camera; right hand gestures: near the tube (182.5), palm rolling open (184.5), open palm turned up/outward toward the bottom of frame while 'The link's below' is on screen (185.5-187.0), then both hands cradle the tube for the final smile (188.0-188.5).
The cream is called Seora
Оригинал targ 3:08.5
3:08.5–3:14.3 CARD
Static card. Only change: garbled pseudo-text lines 'type in' under the last benefit between ~188.5 and ~190.5 (188.5: 'Ascreied biating crasy aaltes hed alrwey'; by 189.5 a second line 'het Silosy Nis sandalge vealwed selin' and 'Net50G/'; by 190.5 'Net50G/ 1.76z'), then fully static to the end.

Наш фильм v07

Наш фильм v07 0:00.0
0:00.0–0:10.1 MCU
Portrait of newWife leaning on railing; she brings a hand to her chin, then lifts it in a small gesture. Revealed through a jagged torn-paper aperture over S01 (aperture visible at 4.0 s, full frame by ~4.5 s).
Їй — тридцять чотири.
Наш фильм v07 0:10.1
0:10.1–0:14.4 MS
Couple in a still embrace at the altar; only micro-movement (breathing, slight sway). From ~13.5 s the image bleaches toward white; by 14.5 s it is a washed-out white frame with no caption.
Ми з Андрієм шістнадцять років були у шлюбі.
Наш фильм v07 0:14.4
0:14.4–0:14.7 MS
Couple in a still embrace at the altar; only micro-movement (breathing, slight sway). From ~13.5 s the image bleaches toward white; by 14.5 s it is a washed-out white frame with no caption.
Ми з Андрієм шістнадцять років були у шлюбі.
Наш фильм v07 0:14.7
0:14.7–0:15.0 MS
Couple in a still embrace at the altar; only micro-movement (breathing, slight sway). From ~13.5 s the image bleaches toward white; by 14.5 s it is a washed-out white frame with no caption.
Ми з Андрієм шістнадцять років були у шлюбі.
Наш фильм v07 0:15.0
0:15.0–0:18.1 MS
Ex-husband stands in the doorway holding a cardboard box of belongings, facing camera (15.0); pivots ~180 degrees within ~1 s (15.5 side view) and walks out through the front door (16-16.5); the door swings shut, hiding him by 17 s; 17.5 s is a hold on the closed door and the wall of framed couple photos.
Він пішов до колеги з офісу. Банально,
Наш фильм v07 0:18.1
0:18.1–0:21.2 MLS
Seated two-shot; he holds her hand across the table; they exchange looks; she lowers her gaze and smiles.
Він пішов до колеги з офісу. Банально,
Наш фильм v07 0:21.2
0:21.2–0:25.0 MCU
newWife at the wheel, hands on steering wheel, small head turns and smiles; a blurred pedestrian passes outside the passenger window at 24-25 s.
я знаю. Їй бути гарною легко —
Наш фильм v07 0:25.0
0:25.0–0:27.1 MS
Heroine sits on the sofa, both hands pressed over her mouth, sobbing; head dips slightly.
А я у березні себе уже не впізнавала.
Наш фильм v07 0:27.1
0:27.1–0:31.1 MCU
Heroine in profile (left, real) and reflection (right). Hand on her cheek at 27-27.5, then the hand drops to her neck/collarbone from 29 s and she pulls her neckline/touches her throat (30-30.5) while staring at her reflection.
А я у березні себе уже не впізнавала.
Наш фильм v07 0:31.1
0:31.1–0:33.7 CU
Hand pressed to forehead/temple; eyes dart right, then close as she winces.
За пів року постаріла, мов на п'ять років. Стрес і сльози щоночі.
Наш фильм v07 0:33.7
0:33.7–0:37.0 MLS
Heroine sits on the edge of the bed, wrings her hands, then buries her face in both hands and cries.
За пів року постаріла, мов на п'ять років. Стрес і сльози щоночі.
Наш фильм v07 0:37.0
0:37.0–0:41.7 MS
Heroine stirs a pot with a wooden spoon, other hand pressed to her temple; two children stand in the doorway behind her, looking at her; she lowers her hand and looks down into the pot by 40 s.
Була дітям опорою, хоч сама ледь трималась.
Наш фильм v07 0:41.7
0:41.7–0:48.0 WS
Rear view: heroine walks through the sliding doors into the store and continues down the central aisle, receding; shoppers in depth.
У суботу зайшла до крамниці.
Наш фильм v07 0:48.0
0:48.0–0:52.1 MS
Heroine holds a white cream box with a small round emblem in both hands, reading it; at 50-51 s she closes her eyes and her mouth drops in resignation.
Лосини, без макіяжу, волосся зібране в пучок. Стою, дивлюся на крем.
Наш фильм v07 0:52.1
0:52.1–0:56.0 MCU (tilts down to INSERT of cream jars by 55 s)
Heroine faces the mirror with one hand on her neck; the camera tilts down past her chin to her chest and hand, ending on a counter of open cream jars (one open jar with white cream at 55-56 s).
Та чи допоможе і цей? Я стільки вже перепробувала.
Наш фильм v07 0:56.0
0:56.0–1:02.4 MS
Heroine holds a beige/tan cream box (different from the white box of S14), looks at it, then snaps her head up and to the right at 57.5 s as if hearing a voice; at 59-59.5 s she turns her head right, listening; by 62.4 s newWife has walked into the frame behind her.
Із сусіднього ряду — голос.
Наш фильм v07 1:02.4
1:02.4–1:14.4 MS
Static facing two-shot: newWife speaks (mouth animation 62-64), her gaze slides down (65.0-66.5, eyes only, slight head tilt), returns to the face (67-69), then she smiles (69.5 on). Heroine holds profile, eyes glisten, then turns her face to camera (70-72) and freezes in wide-eyed shock to 74.4. No hands, no lean of consequence.
Її погляд ковзає вниз — від обличчя до шиї.
Наш фильм v07 1:14.4
1:14.4–1:21.6 MS
Animated: couple posed side by side (74.4-75.5), bride laughs and tilts head (75-75.8), groom turns and wraps both arms around her (76.0-77.0), then a static hug hold with bride's cheek on his chest, bouquet in her left hand (77-81.6).
Співчуття. Від нього ще гірше.
Наш фильм v07 1:21.6
1:21.6–1:29.6 MLS
Full animated sequence: 81.6-82.5 reaches for the silver sedan's driver handle; 83-84 pulls door open; 85-86.5 sits on the seat with feet still on the tarmac, bag on shoulder; 87-88.5 swings legs in; 88.5-89.0 door closes; 89.0-89.6 she is seen only through the window.
Я пішла до авто. П’ятнадцять хвилин сиділа.
Наш фильм v07 1:29.6
1:29.6–1:33.8 CU
Heroine at the wheel in profile looks up into the rear-view mirror (89.6-90.5); the camera pushes into the mirror until the mirror image fills the frame (92.3); her left hand rises into the bottom-left of frame at 92.0 and touches the side of her neck/jaw (92.5-93.8) while she stares at her own neck.
Не на неї я злилась — на те, що бачила сама.
Наш фильм v07 1:33.8
1:33.8–1:41.6 CU
Animated gestures: both hands rise from below frame (94.0-94.5), rake into the hair at the temples (95.0), slide down to clasp both sides of the neck (96.0-98.3), then drop out of frame (98.5-98.8); face relaxes from a closed-eye grimace into an open-eyed defeated stare (99-101.6).
На шиї — дрібні заломи,
Наш фильм v07 1:41.6
1:41.6–1:52.5 WS
Static two-plane composition: mentor seated on the bench reading, heroine stands beside her leaning slightly forward and staring at her; ballerinas and instructor move behind the glass. Minor sway only (2 fps diffs 8-15); no hand action.
У той тиждень забирала доньку з танців.
Наш фильм v07 1:52.5
1:52.5–2:02.4 WS
Animated: heroine bends toward the seated mentor with an open palm-up hand (112.5-113.5), brings the hand to her chest (114.0), then slowly straightens up with hands at her sides (115-117.6). Mentor tilts her head up and holds eye contact with a smile.
«Чим ви доглядаєте шию? Про таку я тільки мрію».
Наш фильм v07 2:02.4
2:02.4–2:09.2 INSERT
Still-life of generic face products: orange dropper bottle (pseudo-label 'VITAMIN...'), blue-and-white tube standing on its cap that legibly reads 'Retin-A Cream', flat pink tube, small orange jar, pool of spilled orange serum. No hand, no event.
«А чим ти користуєшся?» кажу: «Креми для обличчя.
Наш фильм v07 2:09.2
2:09.2–2:17.8 MCU
129.2 eyes closed mid-sentence; 129.7 opens eyes, mouth open; 130.5-134.0 talks with hand gestures (open palm, raised index finger ~131.5, palm-up 133.5-134.0); 134.5-135.5 hand to chest, eyes closed then looks down; 136.0-137.8 smiles, open-palm offering gesture toward camera-left
І гелі, й маски перепробувала».
Наш фильм v07 2:17.8
2:17.8–2:29.6 MS
137.8 heroine holds purple goPure jar at chest with both hands; 138.0-141.0 Iryna talks (hand to chest 139.0, finger to chin 140.0, points at jar 140.5), heroine looks up at her; 141.5-143.5 heroine lowers eyes and reads the jar while Iryna gestures then watches; 144.0-146.5 camera pushes in, Iryna leaves frame ~146.0; 146.0-149.6 heroine reads, eyes down, brief eye-close 147.0, jar lifted toward lens 147.5-149.6 showing 'GOPURE' cap band
Назавтра дала мені баночку.
Наш фильм v07 2:29.6
2:29.6–2:42.9 MCU
156.0-157.0 stares at reflection; 157.5 right hand rises to neck; 158-159.5 fingers on side of neck/jaw, looks down; 160.0 hand on chest; 160.5-161.0 looks down, touches neck; 161.5-162.9 lifts eyes to reflection, mouth open
Минуло кілька тижнів — я біля дзеркала завмерла:
Наш фильм v07 2:42.9
2:42.9–2:53.2 MS
162.9 daughter foreground-left looks up, heroine's right hand raised open; 163.5-166.5 heroine looks down at daughter with palm gesture; 167.0 turns head away right; 167.5-169.0 surprised face toward right; 169.5 hand on chest; 170-171.5 hold with eyes closed; 172-173.2 opens eyes, big smile; daughter drifts out of frame ~169
Донька прийшла додому:
Наш фильм v07 2:53.2
2:53.2–3:03.6 CU
173.2-173.3 hard cut to a wider OTS mirror frame (reflection neutral, hands at chest; the intermediate-mirror composition) for ~3 frames; 173.3-173.7 dissolve into the CU with both faces double-exposed; 173.7-175.0 stares, mouth open; 175.5 both hands to neck; 176-177.3 looks down and palpates neck; 177.5 eyes close, smile; 178.5-180 eyes open, smiles, tilts head up
Минув ще час. Мій догляд тривав і знову шию порівняла:
Наш фильм v07 3:03.6
3:03.6–3:09.1 MS
Heroine stands at the vanity holding a folded beige fringed scarf over the open drawer (183.6-184.5), lays it into the drawer and presses it down with both hands (185.0-186.0), rests a hand on the counter and looks up toward the mirror (186.5-187.5), then turns and walks toward/past the camera to frame-right, her torso filling the frame at 187.9; from 188.0 the frame is empty vanity with the drawer left open until the cut (189.07). Camera locked off.
Я лишилась собою. І шию більше не ховаю.
Наш фильм v07 3:09.1
3:09.1–3:14.0 WS
OTS from behind the heroine (her hair fills frame-left at 189.1) toward the stage where the daughter plays the grand piano; the camera pushes slowly toward the stage so that by 194.0 the heroine's head is reduced to a small corner element bottom-left and the daughter/piano are larger. Daughter's hands move on the keys; extras are static.
У червні — концерт.
Наш фильм v07 3:14.0
3:14.0–3:23.3 MS
After a short blur-dissolve the same two-shot resumes in a new take: both women are now leaning toward each other; the blonde closes her eyes smiling, then reaches across and lays her hand on the heroine's forearm on the seat arm (201.5-203.2) while gesturing/speaking with her other hand. Camera static.
Глянула. Не жаль, не співчуття — в очах лише здивування.
Наш фильм v07 3:23.3
3:23.3–3:30.4 MS
Standing two-shot behind the programme table. Blonde, hand on chest, speaks to the heroine; heroine first looks away up-left with hands clasped, then puts her own hand to her chest and closes her eyes (touched), then turns to face the blonde. The camera pushes in slowly from waist-up to chest-up by 210.2.
Після концерту сама
Наш фильм v07 3:30.4
3:30.4–3:38.4 MLS
Two-shot by the car; the blonde talks with hand gestures, the heroine listens holding her bag. Continuous slow push-in from a near full-body two-shot to a medium-close profile of the heroine by 217.9, the blonde drifting off frame-left. At ~214.9 a circular inset pops in upper-left (scales up within ~0.1-0.2 s) and plays a moving flashback: heroine inside a car looking at the rear-view mirror (215.0), her reflected face (216.5), then a frontal before-state face with tired eyes and lined neck (217.9-218.3). Inset holds until the cut.
До речі».
Наш фильм v07 3:38.4
3:38.4–3:44.1 MCU
Static medium-close portrait of the heroine three-quarter to camera; she keeps her eyes closed, then opens them and addresses the lens, then glances back toward the blonde and away again. Blonde remains a static background figure.
«Дякую», — сказала
Наш фильм v07 3:44.1
3:44.1–3:46.6 CU
OTS mirror shot: heroine's right hand rests on the side of her neck; she looks up and smiles broadly, then closes her eyes. Camera pushes in from a framing that shows the whole arched mirror to a tight CU where the frame edge is gone by 226.5.
Бо нарешті я ціную те, що думаю сама.
Наш фильм v07 3:46.6
3:46.6–3:55.2 MS
Seated frontal medium shot. Heroine holds a purple goPure jar with silver lid in her left hand at chest height screen-right; right hand points at the jar (226.6-228.0), then opens palm-up toward camera (228.5-231.5), then index finger points down toward the bottom of frame (232.2-234.0), then open palm again (234.5). Mouth animates in sync-like shapes. Camera static.
goPure — це крем для шиї. Результат у кожної свій.
Наш фильм v07 3:55.2
3:55.2–3:59.7 CARD
Static CTA card: purple 'goPure' wordmark top, headline 'Догляд / за шиєю' in dark purple bold, photoreal packshot of the goPure 'Tighten & Lift Neck Cream' jar on marble, green rounded button 'Залиште ім'я та телефон ↓', small grey lines 'Оплата після огляду / Повернення протягом 60 днів', then the sung caption in black bold below. Only the caption changes; the card itself does not animate.
Посилання внизу. У формі — ім'я й телефон лиши,

CustomTarasFinal

CustomTarasFinal 0:00.0
0:00.0–0:03.1 MS
Heroine stands facing camera in the aisle, arms at sides. New wife walks up the aisle toward camera behind her right shoulder, closing from about 5 m to 2 m over the shot. Camera pushes in from MS (waist) to MCU (chest) by 2.5 s.
Я зустріла нову дружину чоловіка їй тридцять два
CustomTarasFinal 0:03.1
0:03.1–0:07.0 MCU
Over-the-shoulder of the foreground figure: new wife holds a small cream jar in both hands at chest height, rotates it, reads it, lifts it slightly (4.0-5.0), then raises her eyes toward the foreground figure (5.5-6.5). Camera drifts slightly; framing widens from MCU to loose MCU by 6.5 s (foreground shoulder slides out of frame). Soft score at 6.46 s is this drift, not a cut.
Я зустріла нову дружину чоловіка їй тридцять два
CustomTarasFinal 0:07.0
0:07.0–0:10.8 CU
Tight OTS of the heroine's head (right edge) onto the new wife's face. New wife's smile slowly grows; her eyes move as if scanning the heroine's face (7.5 up, 9.0 down-left, 10.0 centre). Small head tilt. No body movement.
Вона глянула на мене наче їй мене шкода
CustomTarasFinal 0:10.8
0:10.8–0:13.3 CU
Profile CU, heroine facing right. Camera drifts around behind her so the framing goes from 3/4 profile (10.8) to profile (12.0) to near back-of-head (13.3). Her jaw tightens; no other body motion. During 12.6-13.3 the shelves dissolve into a wall/window and the cardigan becomes a crew-neck.
Це був березень
CustomTarasFinal 0:13.3
0:13.3–0:15.4 MCU
Bride and groom hold hands chest-high; bride laughs and rocks slightly; groom smiles down; light micro-movement only (idle animation).
Ми з Андрієм прожили шістнадцять років
CustomTarasFinal 0:15.4
0:15.4–0:16.8 INSERT
Two hands with wedding bands hang side by side, fingertips touching then drifting slightly apart (15.5-16.5). Guests behind clap.
Ми з Андрієм прожили шістнадцять років
CustomTarasFinal 0:16.8
0:16.8–0:22.8 WS
Man walks away from camera through the open door with a suitcase (16.8-19.4), steps down onto the path and exits frame right at ~19.5 s. Colour bleeds back into the scene as he leaves. 19.5-22.75 s (3.25 s) is a hold on the empty hallway and open door - nothing moves.
Потім він пішов до дівчини
CustomTarasFinal 0:22.8
0:22.8–0:24.1 CU
Head turn/glance only; hair sways slightly.
Вона з тих, кому не треба старатись
CustomTarasFinal 0:24.1
0:24.1–0:25.7 MLS
Seated two-shot; both lean slightly toward each other, hands near the plate; only breathing/idle motion.
Вона з тих, кому не треба старатись
CustomTarasFinal 0:25.7
0:25.7–0:28.5 ECU
ECU on the right half of the face. Eye opens on cue at ~27.4 s (between 'ще' and 'не дійшов'); slight camera float.
Бо час до неї ще не дійшов
CustomTarasFinal 0:28.5
0:28.5–0:35.5 MCU
Heroine stands at the sink facing the mirror; camera sees her 3/4 front on the left and her profile reflection on the right. She leans in toward the glass (the reflection grows 29.0-33.0), tilts her head, studies her cheeks; no hands raised.
Я постаріла на п'ять років
CustomTarasFinal 0:35.5
0:35.5–0:38.3 WS
Heroine stands alone centred in the aisle, arms at sides, looks around (35.5-37.5); at ~37.5 she starts walking toward camera and is mid-stride, closer, by 38.0. Soft score at 36.04 is the head turn, not a cut.
Сльози щоночі це роблять Я стояла там у суботу
CustomTarasFinal 0:38.3
0:38.3–0:41.8 MCU
Holds a glass cream jar in both hands at chest height, tilts it to read the label, lifts it slightly (39.5-40.0), sighs with eyes closed (40.5), looks down again. Camera pushes from MCU to CU.
Без макіяжу, волосся в пучок
CustomTarasFinal 0:41.8
0:41.8–0:45.0 MCU
Frontal MCU. Holds a wide glass jar toward camera, right hand on the lid, thumbs turning it (41.8-43.5); then freezes and looks up at camera at 44.0.
Дивилась на черговий крем який знову не спрацює
CustomTarasFinal 0:45.0
0:45.0–0:50.5 MCU
3/4 profile at the shelf; right hand lifts a small silver-lidded jar from the shelf (45.0-46.5), looks at it, lowers it (47.0-47.9). Head snaps to camera at ~48.2 s; she holds the shocked stare, jar still in hand, through the cut at 50.5.
Дивилась на черговий крем який знову не спрацює
CustomTarasFinal 0:50.5
0:50.5–0:53.8 CU
Frontal to camera, both hands raised as clenched fists at chest level (stock 'scared' pose); the only motion is the eye-widen and mouth opening plus a slow push-in from MCU to CU. No body movement.
Потім почула її голос через
CustomTarasFinal 0:53.8
0:53.8–0:56.2 MS
Two-shot chest-up: newWife left in profile facing right, heroine right in 3/4 facing left, about arm's length apart; heroine's hands clasped low at frame bottom; only micro head motion and a slight widening of newWife's smile. Static camera.
І побачила, як її / обличчя робить оте
CustomTarasFinal 0:56.2
0:56.2–1:00.7 ECU
ECU of newWife's face in 3/4 profile filling the frame; her eyes perform the 'two-second scan' over the off-screen heroine's face, then the head turns slightly camera-right. Very slight frame drift, no real camera move.
І побачила, як її / обличчя робить оте
CustomTarasFinal 1:00.7
1:00.7–1:03.4 MCU
She stands still in 3/4, looks down-left away from the evaluator, small head dip, lip quiver. Note eye colour: GREEN here, brown/amber in every other heroine shot.
Лоб, щоки, підборіддя дві / секунди і все зчитано потім
CustomTarasFinal 1:03.4
1:03.4–1:09.6 CU
Frontal POV of newWife looking at camera (= heroine); smile grows from polite to sympathetic over 66-68.5, then she closes her eyes and smiles fully at 69.0; camera pushes from MCU to CU over the 6 s.
Лоб, щоки, підборіддя дві / секунди і все зчитано потім
CustomTarasFinal 1:09.6
1:09.6–1:15.2 CU
She stands still and cries; tears run; chin lowers; the camera pushes from CU (shelves visible both sides) to ECU (forehead cropped); at 74.1-74.7 the grade dissolves from B&W to full colour inside the shot. No cut inside (verified at 24 fps).
Вона усміхнулась І це / було гірше за зневагу
CustomTarasFinal 1:15.2
1:15.2–1:20.4 CU
Heroine faces camera motionless; a translucent bride figure is superimposed at lower centre over her chest from the first frame (75.2), holds, and fades out 79.6-79.85; the bride lowers her gaze and closes her eyes 78-79; the heroine closes her eyes at 78.5 and holds to the cut. Camera static.
Наче дивилась на стару / версію жінки яку її чоловік
CustomTarasFinal 1:20.4
1:20.4–1:24.5 MS
Profile from the passenger side: both hands on the wheel, she looks down, then lifts her face, closes her eyes and lets her head fall back onto the headrest; camera pushes from MS (wheel and cabin visible) to MCU.
(no caption)
CustomTarasFinal 1:24.5
1:24.5–1:30.0 CU
Her reflection fills the mirror; a hand is braced at the mirror's left edge 84.5-87.5; the camera pushes toward the mirror throughout; at 87.6-88.3 her right hand rises and the index finger touches the cheek patch and stays there; the back of her real head enters at frame right out of focus 88-90. No cut inside (verified at 24 fps).
На неї Я злилась / на те, що побачила
CustomTarasFinal 1:30.0
1:30.0–1:32.7 CU
Static frontal portrait; only the eyes and brows move as the gaze drops. No camera move.
Пігментні плями на щоках / наче світло згасло зсередини
CustomTarasFinal 1:32.7
1:32.7–1:40.0 MCU
Smiles and blinks; hands come together at the waist at frame bottom 97.5-100; slight head tilt; static camera.
Доньки Кореянка, яку я / бачу щодня за п'ятдесят
CustomTarasFinal 1:40.0
1:40.0–1:45.5 MS
Two-shot in profile/3-4: heroine (screen left) faces mentor (screen right) and speaks; small head tilts and mouth movement only; mentor listens and smiles, eyes crinkle shut near the end. No body movement, no object contact.
Доньки Кореянка, яку я бачу щодня за п'ятдесят
CustomTarasFinal 1:45.5
1:45.5–1:50.0 MCU
Over-the-shoulder on mentor: she talks, head nods slightly, eyes flick down to heroine's face and back up; a slow blink at ~108 s. Heroine's head/shoulder is a static foreground mass.
І шкіра бездоганна Я спитала чим вона користується вона
CustomTarasFinal 1:50.0
1:50.0–1:55.7 MS
Heroine stands behind a shelf of her old products holding a white pipette/dropper in her right hand; she glances over the bottles, then lifts her eyes to the upper right as if listening; hand lowers slightly. Products are static.
Подивилась на моє обличчя спитала а ти чим Я
CustomTarasFinal 1:55.7
1:55.7–1:57.4 CU
Frontal close-up hold; almost no motion beyond a micro head settle and lip tension.
Вітамін С, ретинол вона сказала зупинись
CustomTarasFinal 1:57.4
1:57.4–2:05.9 MS
117.5-119.7: mentor holds the magenta HANBIT tube in both hands and places it into heroine's hands, both looking down. ~119.7-121.0: hands close together and both heads lift; mentor turns to face heroine. 121-126: profile two-shot hold, hands clasped between them, both smiling; the tube is no longer visible anywhere (it has vanished inside the clasped hands). Camera creeps in slowly through the whole take.
Усе це робить тільки гірше
CustomTarasFinal 2:05.9
2:05.9–2:10.5 INSERT
A right hand holds the magenta tube upright; the tube slowly comes toward camera / camera pushes until the tube fills the frame with the cap at the bottom; slight rotation of the label toward camera. Label reads 'HANBIT SKINCARE / ARBUTIN 7.0+TXA 4.0 CREAM / 50ml'.
Рожевий тюбик корейські літери наноси щовечора
CustomTarasFinal 2:10.5
2:10.5–2:12.2 MCU
Mirror reflection: heroine dabs a white blob of cream onto her right cheek with the fingers of her right hand; her left hand holds the magenta tube in the lower foreground; her real head/shoulder is a dark mass at frame left. Fingers move slightly; otherwise static.
Я вичавила краплю не пекло не лущило
CustomTarasFinal 2:12.2
2:12.2–2:19.0 ECU
Extreme close-up on the left half of her face with her reflection behind; camera pushes in over ~7 s to an extreme close-up of eye and cheek; at ~135.0 her fingertips enter from the lower right and press the cheek; two blinks; a faint smile begins at 138.8.
Через три тижні я глянула
CustomTarasFinal 2:19.0
2:19.0–2:27.2 MS
Heroine crouches to daughter's eye level, hands on her knee; they hold eye contact; at ~144.5 the daughter raises her right hand, at ~145.0-146.0 she touches her mother's cheek, heroine tilts into it and closes her eyes, hand drops by ~146.5. Camera pushes in slowly.
Донька сказала мам, ти якась інша світліша
CustomTarasFinal 2:27.2
2:27.2–2:32.3 MCU
Frontal MCU: right hand cupped against her cheek; she stares just off-lens (at her reflection), mouth open; over ~4 s the expression relaxes into a full smile with teeth; camera pushes in to a tighter head-and-hand frame. Continuous take, no cut at 149.5 or 151.0 (those are caption off/on).
На шостому тижні пігментації майже не було
CustomTarasFinal 2:32.3
2:32.3–2:35.8 CU
Push-in from MCU (shoulders visible) to tight CU (chin cropped). Hand has dropped from cheek; from ~154.5 both hands come up clasped at the chin/lower frame edge (fingers visible bottom-left at 155.0-155.5). Mouth opens/closes loosely, not lip-synced.
Шкіра рівна, як не була десять років без тонального
CustomTarasFinal 2:35.8
2:35.8–2:41.0 MS
Daughter seated at grand piano, fingers moving on the keys (hand positions change frame to frame); audience behind claps. Camera pushes in from MS (piano lid, keyboard, bench) to MCU on her face with keys bottom-right, with slight lateral drift. Heroine NOT in frame.
Потім настав червень концерт фортепіано в класі доньки
CustomTarasFinal 2:41.0
2:41.0–2:49.3 MS
One continuous drifting take. Blonde sits at heroine's screen-RIGHT (161.0-161.5), then disappears as the camera orbits (162-162.75), a blonde head appears at the screen-LEFT edge (163.0-164.75, face visible 164.5), vanishes again (165.0), and re-emerges at screen-RIGHT (165.25-169.3) as the heroine turns her head right into profile and the two look at each other. Heroine's hands stay in her lap; no object contact.
Потім настав червень концерт фортепіано в класі доньки
CustomTarasFinal 2:49.3
2:49.3–2:53.5 MCU
Heroine stands still facing camera, then closes her eyes and rotates her head to screen-right and holds there, smiling at someone off-frame. Camera creeps in. No blonde in frame; no walk-up shown.
Розгублено після концерту вона підійшла сказала
CustomTarasFinal 2:53.5
2:53.5–2:58.9 CU
Static pose, continuous slow push-in from head-and-shoulders to eyes-nose-mouth; no gesture, no object; mouth stays closed.
Ти чудово виглядаєш та сама
CustomTarasFinal 2:58.9
2:58.9–3:01.9 CU
Static pose, push-in; no gesture. The blurred blonde figure remains in the left background (recedes), matching the source staging.
Я сказала дякую не тому
CustomTarasFinal 3:01.9
3:01.9–3:04.2 MLS
Mother and daughter walk out through the doorway hand in hand toward camera; daughter's head tilted up at mother; mother's free left arm swings; both take ~2 steps.
Що її думка щось важить
CustomTarasFinal 3:04.2
3:04.2–3:08.4 MS
Heroine holds the magenta HANBIT tube upright in both hands at chest height, label to camera (right hand cupping the top, left hand at the base), and presents it; no pointing gesture, no application. Tube label: 'HANBIT SKINCARE' legible; the vertical ingredient text is garbled/mirrored glyphs (reads like 'AREB3TN 7.4+TXA 4.2 CREAM'), unlike the clean end-card label.
Що її думка щось важить
CustomTarasFinal 3:08.4
3:08.4–3:14.2 CARD
Fully static card (frames identical 188.5-193.5; max scene score 0.052 is the caption removal). Layout: 'HANBIT / SKINCARE' wordmark top-left; headline 'ЧИСТА ШКІРА.' (dark) / 'ВПЕВНЕНА ТИ.' (magenta); sub 'Щовечірній крем від пігментації.'; four magenta check bullets: 'Вирівнює тон — Освітлює пігментні плями', 'Повертає сяйво — Шкіра виглядає живою', 'Працює м'яко — Без печіння і лущення', 'Корейська формула — Арбутин і транексамова'; large tube render right with 'HANBIT SKINCARE / ARBUTIN 7.0+TXA 4.0 CREAM / 50 ml / 1.69 fl.oz.'; magenta CTA pill '▼ ПОСИЛАННЯ НИЖЧЕ ▼'; tiny grey disclaimer 'Догляд за шкірою · Не є лікарським засобом'.
А тому що моя нарешті важить
Оригинал targ · контактные листы 1 fps
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Наш фильм v07 · контактные листы 1 fps
Наш фильм v07 лист sheet01Наш фильм v07 лист sheet02Наш фильм v07 лист sheet03Наш фильм v07 лист sheet04Наш фильм v07 лист sheet05Наш фильм v07 лист sheet06Наш фильм v07 лист sheet07Наш фильм v07 лист sheet08
CustomTarasFinal · контактные листы 1 fps
CustomTarasFinal лист sheet01CustomTarasFinal лист sheet02CustomTarasFinal лист sheet03CustomTarasFinal лист sheet04CustomTarasFinal лист sheet05CustomTarasFinal лист sheet06CustomTarasFinal лист sheet07

НАБЛЮДЕНИЯ ПО СЕГМЕНТАМ

Что работает и что ломается

Оригинал targ · сегмент 1 · Pixar-like stylised 3D (big eyes, soft subsurface skin, simplified props); consistent look across shots, but each shot is an independent generation - face models, hair length and wardrobe re-roll between shots; S05 is a deliberate monochrome outlier

Ритм: 18 shots / 50 s, mean 2.8 s. Hook block 0-9.8 s (3 shots incl. 1.4 s insert), backstory 9.8-23 s (4 shots, 2-5 s), distress montage 23-33 s (5 shots at 1.7-2.8 s = fastest run), store re-entry 33-47 s (5 shots, 1-4 s incl. insert and 1 s replay), then a 10 s two-shot hold from 47 s. Motion is almost entirely character animation inside static frames; camera moves only in S05, S13, S15, S18 (soft push/drift). Cuts hit caption changes 3 times; most caption changes are mid-shot.
Читаемость эмоции: High. Exaggerated brows/mouths make worry, pity, joy and dread readable at thumbnail size; the blonde's pity is carried by lowered eyelids + lean-in (S03, S18) and the heroine's shame by sidelong glance + parted lips. Weak spots: S14 startle has no cause yet; S12 kids smile at the lens.

Работает
  • problem zone is visible in every heroine face shot, including profile, so the 'before' state never has to be explained
  • S05 monochrome rear-view exit with kids' sneakers and family photos: departure told without a face
  • S16 three-step listening/recognition performance is legible without captions
  • S01 -> S17 -> S18 loop: opening image is replayed as the payoff, so the flashback structure is clear
  • stylistic transitions (paper tear, flash, blur) are used sparingly and each marks a time jump
  • loaded props: man's watch on the nightstand (S11), wine glass + tissues (S08), clutter of tried creams (S09/S15)
Не работает
  • heroine hair/wardrobe re-rolls in every distress shot, so 23-33 s reads as five different nights or five different women
  • new wife has three distinct faces (balcony, aisle, car)
  • S14 startle beat is premature; the cause (voice) arrives 3.5 s later in S16
  • S12 children grin at the camera, breaking the exhausted-mother tone
  • caption box covers hands/product in S14/S16/S18; captions carry lyric-line capitals and stray commas
  • visible AI text artifacts on signage and jars
  • S07 5 s hold on the rival driving is static and slightly uncanny
Артефакты
  • garbled signage: 'CTARBAATZ' for Starbucks in S13; unreadable jar labels in S09/S15; Target wordmark cropped to 'TA'
  • uncanny: S10 bulging eyes at 28.0 s; S07 oversized eyes
  • geometry jump: S07 steering wheel/seat shifts between 19.5 and 20.0 s
  • prop teleport: cream box chest -> hip inside S01
  • motion smear on heroine's hand at 31.0 s (S12)
  • S09 mirror reflection is not a geometric mirror of the foreground
  • bleached white flash frames 11.87-12.27 s trigger three false auto cuts
  • blonde's pursed-lip lean at 6.5-7.0 s and 48.5 s can misread as an incoming kiss
Дрейф идентичности / непрерывность
  • heroine: S01 narrower face/smaller patches vs S03/S18 fuller face with large patches; S08-S12 four different hair states (loose shoulder waves, long waves, messy bun, shoulder bob) within 10 s
  • heroine wedding (S04) rendered younger with clear skin - reads as intentional pre-problem past
  • newWife: balcony portrait (S02) narrow realistic face, aisle two-shots (S03/S18) rounder face bigger eyes, car (S07) oversized doll eyes; hair colour/length stable
  • exHusband: S04 dark hair young vs S06 grey temples older - plausible 16-year gap, but face model also changes
  • retail extras: green-shirt cart man identical in S01 and S17 (good), different extras in S14/S16
  • store thread (S01, S03, S13, S14, S16, S17, S18) is consistent: high bun, hoop earrings, dusty-rose cardigan, white tee, black leggings, pink sneakers/crossbody - the loop reads as one Saturday
  • home/distress thread (S08-S12) changes wardrobe every shot: cream sweater -> white tank -> beige hoodie -> cream robe -> beige hoodie; hair loose vs bun alternates
  • newWife store outfit stable (taupe top, belt, jeans, bag); dress/denim in memory shots are intentional
  • cream box: at chest in S01 start, at hip by 2.0 s and in S17; absent in S03/S18
Оригинал targ · сегмент 2 · Pixar-like stylised 3D (large glossy eyes, soft subsurface skin) for every shot except S24, where the mentor portrait is semi-photoreal with small eyes and realistic skin texture; S19 is the same style in monochrome. Backgrounds are consistently soft-lit CG (retail, parking lot, studio lobby).

Ритм: Slow, lyric-led: 9 true shots in 50 s (mean ~5.3 s), two long holds (S18 10.1 s, S22 8.8 s), one 0.8 s tail (S26b). Cuts land on lyric-line starts (57.1 'looking at the before version', 63.2 'walked to my car', 67.1 'angry at what', 72.2 'Melasma', 80.9 'That week', 90.3 'I had to say', 95.4 'She laughed'). Only one camera move (S21 push into mirror) and one non-cut transition (white dissolve into S24). No inserts, no product in this segment; captions turn over every 1.6-6.2 s.
Читаемость эмоции: High in the three face-driven shots (S18 pity-smile vs. hurt stare, S21 tears in mirror, S22 direct-to-camera pleading); medium in the studio wides where faces are ~1/12 frame height and only big gestures (lean-down, open palm, laugh head-throw, raised finger) carry the beat; nil in S20 (car exterior) and low in S24 (static portrait smile).

Работает
  • S18: the whole 'sympathetic smile' sting is acted with eyes and mouth only and lands on the caption.
  • S21: camera push into the rear-view mirror converts a wide into a problem insert without a cut, timed to the word 'Melasma', with tears added.
  • S22: melasma placement (cheeks, forehead, lip) mirrors the lyric word for word at a size where it is unmistakable.
  • White-wash dissolve into the mentor portrait frames her as the aspirational 'after' image before the product is even named.
  • Studio lobby staging (seated mentor / standing-then-bending heroine) encodes status and the asking beat at wide scale.
Не работает
  • Heroine continuity breaks twice (bun->loose hair->floral blouse) inside 30 s, so 'same woman' relies on caption context.
  • Problem state is inconsistent in the studio wides: patches are near-invisible at that scale, so the 'before' woman looks fine right after the S22 portrait.
  • S26->S26b morph reset is a visible AI seam right before the product line; the set changes under the characters.
  • Mentor render style switches between cartoon and semi-real; 'mid fifties' is not supported by any rendering of her.
  • Two static holds (S18, S22) run 9-10 s with no camera or blocking change; energy depends entirely on caption turnover.
  • The wedding flashback recycles an opening asset (per canonical) and adds no new visual information.
Артефакты
  • S26->S26b (98.9-99.7): generative morph smear - mentor's body liquefies while rising, heroine's outline blurs, bench/plant/dancers vanish and foam blocks appear; camera position also changes.
  • S23 (85.17-85.5): green plant-leaf ghost bleeding through the mentor's hair.
  • S19 (59.4-60.3): fast embrace where the groom's face smears out of view; slight limb ambiguity where his arm wraps her back.
  • S22 (73.0-74.6): fingers at temples/cheeks are soft and partially merged.
  • S21: mirror reflection shows a frontal face while the driver looks up-left - physically impossible reflection angle (stylistic, but noticeable).
  • S20 (64.0-64.5): heroine's head/torso passes the car-door edge with rubbery occlusion.
  • S24 (86.0-86.6): residual white bloom/halo from the dissolve sits over the portrait for ~0.5 s.
  • Timestamp offset in the supplied 2 fps frames and contact sheets (~0.2-0.3 s late vs. true pts) - not a video artifact, but it will mislead anyone timing from those files.
Дрейф идентичности / непрерывность
  • Heroine: bun + cardigan (S18, S20, S21) -> loose shoulder waves + blouse (S22) within 0.1 s, then pink floral blouse (S23-S26b); face gets rounder and eyes larger in the studio wides than in the S22 portrait; eye colour reads brown in the mirror (S21) and hazel-green in S22.
  • Mentor: cartoon proportions in S23/S25/S26 vs. semi-real, older-looking portrait in S24 vs. slimmer younger-looking figure in S26b after the morph.
  • Heroine and new wife share the same base face model in S18; only hair and outfit distinguish them.
  • Target block (S18, S20, S21): pink cardigan / white tee / black leggings / bun - consistent.
  • S22 confession portrait: dusty-pink v-neck blouse, gold chain, drop earrings, loose waves - a third 'look' not tied to any location.
  • Studio block (S23-S26b): pink floral blouse, black pants, black flats, loose waves - consistent across the four studio shots; mentor's cream satin blouse, navy trousers, heels, drop earrings consistent across S23-S26b and the S24 portrait.
  • Wedding flashback: lace gown/updo; groom dark suit - consistent with the opening flashback per canonical.
Оригинал targ · сегмент 3 · Pixar/Disney-like 3D for all character shots, but the character design is not stable: the heroine in S30 is a freckled, huge-eyed Rapunzel-type; in S32 an older, rounder-faced 'mom'; in S33 a puffier, rosier face; in S34 a sharper-featured woman with darker hair. The product still-life S27 is near-photoreal and breaks the cartoon world. S28-S29 carry a pink/salmon colour cast and blown-out mirror highlights not present in S26 (same location).

Ритм: 9 full shots + 0.5 s tail of S26 in 50 s; mean 5.5 s; longest S29 9.4 s (two-shot with internal push-in that functions as a second setup) and S32 8.1 s; shortest S34 3.4 s. All ten transitions are hard cuts, no dissolves. Cuts land on lyric-phrase boundaries or exactly on caption starts (122.9, 128.2, 143.0, 146.4). Static holds: S27 (4.6 s still-life), S35 (4.4 s establishing). Densest action: S30 with four micro-actions in 4.1 s. One insert (S27) and one action-insert (S34) punctuate the dialogue/mirror shots.
Читаемость эмоции: High. Every beat is a single, broad, readable expression: finger-wag 'stop' (S28), pleading direct-to-camera hold with tube (S29 end), eyes-closed application then wide-eyed relief (S30), probing scrutiny to surprise (S31), surprise -> hand-to-chest -> grin (S32), shock -> laugh -> joyful smile (S33). Reaction changes land within ~0.3 s of the lyric words 'brighter', 'shock', 'even'. Only S35 has no acting.

Работает
  • Beat-per-shot storytelling: advice CU -> product handover -> application -> 3-week mirror -> daughter validation -> 6-week mirror -> discard foundation -> recital; each lyric idea gets exactly one image
  • Product on screen continuously for 13.5 s (109.4-122.9): in hand, pointed at, held to camera with legible 'SEORA', squeezed
  • Problem zone shown large, frontal and well-lit in S30 right before application, so the two later mirrors have a clear reference
  • S31 and S33 reuse the same OTS mirror blocking, turning the 'before/after' into a direct compare
  • S29 push-in converts a two-shot into a single without a cut, ending on a direct-address hold on 'Throw the rest aside'
  • S34 turns the abstract 'No foundation on' into a physical prop action with an empty-frame button on the bin
  • Reaction timing: expression changes sit within ~0.3 s of the sung key words ('brighter', 'shock', 'even')
Не работает
  • Heroine is not one character: face, hair length and colour change almost every shot from S30 onward
  • Three different bathrooms and five outfits in 50 s undercut the 'weeks later, same mirror' logic
  • Pigment severity is inconsistent (faint at 100.0, heavy at 109.5) and the S31 reflection is far clearer than the profile it belongs to
  • Physical errors a viewer can spot: teleporting tube, unblended cream ovals, frontal mirror reflections, head cropped on the S34 exit
  • Style break of the photoreal S27 insert inside a cartoon film; gibberish brand text and real competitor trademarks on screen
  • Caption typo 'squeed' on the hero application line
  • Colour grade jumps to pink/overexposed in S28-S29 within the same studio scene
Артефакты
  • burned-in caption typo 'I squeed some out and' (119.2-122.9)
  • tube teleports from right hand (119.0) to standing on the counter (119.5) in S30
  • cream applied as two flat white ovals that stay unrubbed on the cheeks (121.5-122.9)
  • impossible mirror geometry in S31 and S33: real head in profile, reflection frontal to camera; reflection skin state differs from the profile in S31
  • background morph during the S29 push-in (115.5-117): pink-tutu ballerinas in the mirror become a man in a dark suit; mentor's edge smears at 116.0
  • S34 exit: heroine slides up and out of frame with her head cut by the top edge at 145.0 instead of walking away
  • gibberish brand 'EQQUAL BERRY' and garbled fine print on the S27 still-life; real trademarks Retin-A and Tri-Luma shown
  • pink/salmon cast and blown-out highlights in S28-S29 vs neutral S26 in the same room
  • ASR (not video) mishears: 'try Luma', 'reninol', 'squeezed so loud'
Дрейф идентичности / непрерывность
  • heroine: 4-5 distinct face designs across S29/S30 (young, freckled, long hair), S31 (long hair, thinner), S32-S33 (older, short bob, rounder), S34 (sharper, dark bob), S35 (seen from behind)
  • mentor: S26 reads older/thinner; S28-S29 read younger with larger eyes and a different chin
  • daughter: ponytail at home (S32) vs half-up with bow at the recital (S35); plausible as costume change, face consistent enough at these sizes
  • pigmentation: faint in S26 wide (100.0), heavy forehead+cheek patches in S29-S30, then asymmetric in S31 (profile patch vs one small spot in the reflection)
  • hair: long waves (S26/S29/S30/S31) -> short chestnut bob (S32/S33) -> dark sleek bob (S34) -> shoulder waves (S35)
  • wardrobe: pink floral blouse + black trousers (S26/S29) -> grey knit sweater (S30) -> cream blouse (S31/S32/S33) -> light-blue shirt (S34) -> pink strappy dress (S35): five outfits in 50 s; blouse changes between S30 and S31 in what reads as the same bathroom day
  • bathrooms: three different bathrooms (frameless mirror + globe bulbs in S30/S31; brass-frame mirror in S33; gold baroque mirror + marble vanity + pedal bin in S34)
  • mentor: consistent black hair, cream blouse, black trousers, drop earrings across S26/S28/S29
Оригинал targ · сегмент 4 · Consistent Pixar-like 3D CG (oversized eyes, soft subsurface skin, stylised hair, shallow DOF) on all eight live shots; the flashback inset is the same 3D style but darker/desaturated; the end card is a 2D print layout with a semi-photoreal tube render.

Ритм: Shot lengths 4.4 / 4.7 / 7.1 / 6.5 / 6.9 / 2.1 / 6.0 / 5.9 s: steady 6-7 s holds on the dialogue beats, one 2.1 s mirror punctuation, then a 5.9 s end card with no fade. The camera never moves apart from a subtle push-in on S40 and the zoom inside the inset; rhythm comes from caption changes (every ~2.4 s) and facial beats. Cuts land on lyric-line starts; captions lag the vocal slightly.
Читаемость эмоции: High for the newWife (curious -> confused -> shocked/apologetic -> embarrassed warmth) - she carries the acting; medium for the heroine, who holds a serene smile in most shots and varies it only with eye closes, a head turn (S40) and a cheek touch (S41); the only 'before' emotion (distress) is inside the flashback inset.

Работает
  • Three-step payoff is clear: newWife's confused look (S37) -> her compliment and the heroine's gracious touch (S38) -> the heroine's private smile on 'mine finally did' (S40).
  • The circular inset shows the 'before' (pigmented, crying) inside the 'after' frame - contrast without cutting away.
  • Captions are large, high-contrast, consistently placed, and never cover a face.
  • Mirror callback (S41) gives the 'mine finally did' line a physical gesture (touching the healed cheek).
  • Direct-address CTA (S42) with a downward palm gesture matching 'The link's below', then an unambiguous LINKS BELOW card.
Не работает
  • The auditorium zoom-smear reset is a visible seam.
  • S39 is a full-body wide on a phone screen: faces are tiny and the inset is small.
  • Location and car continuity break between S39 and S40.
  • Garbled text on the tube and the end card, redundant ingredient copy, '1.76z', stray Target logo.
  • Heroine's expression range is narrow; the newWife does most of the acting.
  • 'a few seats from me' caption vs. adjacent seating in the picture.
Артефакты
  • Radial zoom smear 155.03-155.43 masks a same-angle take reset (poses jump) between S36 and S37.
  • Flashback inset contains a red Target bullseye sign - stray brand reference inside a Seora ad.
  • Tube label secondary text in S42 is garbled; end card grows garbled overflow lines between 188.5 and 190.5 ('Ascreied biating crasy aaltes hed alrwey', 'het Silosy Nis sandalge vealwed selin'), plus 'Net50G/ 1.76z'.
  • End-card copy redundancy: 'With Arbutin 7%, TXA 4% and Tranexamic Acid' (TXA is tranexamic acid).
  • Background extras in S38/S39 have low-detail, near-duplicate faces.
  • newWife out-of-focus face in S40 has over-large eyes (uncanny).
  • Heroine's facial animation in S36/S37 is minimal (near-frozen smile).
  • Evidence artifact: 2 fps frames from f00334 onward run ~0.5 s early against true time; ledger times come from scene scores and direct extraction.
Дрейф идентичности / непрерывность
  • newWife: auditorium (S36/S37) face is narrower with smaller eyes; lobby (S38) face is rounder with larger eyes and heavier brows; exterior (S39/S40) face is smaller/blurred with a slightly different jaw. Hair (blonde bob) and navy suit stay constant.
  • heroine: recognisable throughout (brown wavy bob, thick brows); S40 face reads younger/rounder than S38; S41/S42 eye size slightly larger. Skin is uniformly clear in every shot of this segment.
  • daughter: only S35-S37, consistent.
  • heroine: pale pink sleeveless dress + necklace + tan handbag across S36-S40 (one continuous evening); navy blouse in S41 (bathroom, different time); cream blouse + tan trousers in S42 (couch, different time). Hair identical in all.
  • newWife: navy pantsuit + white blouse + blonde bob in every appearance (S36-S40).
  • Car/location break: S39 the heroine stands by a silver/champagne sedan in the recital-hall car park; S40 (the matching close-up) puts her by a dark navy/black sedan in front of a brick townhouse.
  • 'Spring Recital' posters in S38 while the lyric says 'Then June happened'.
Наш фильм v07 · сегмент 1 · Pixar-like stylised 3D throughout (big eyes, smooth skin, soft GI lighting). Consistent look across shots except S15, where the neck/chest/hands and the cream jars render semi-photoreal against a stylised face. The B&W S05 and the golden-hour S02/S06 are the same 3D style with colour grading only.

Ритм: 16 shots in 60 s, ASL ~3.75 s, all hard cuts except the paper-aperture pair at 4/6 s and the fade-to-white at 14.5 s. Rhythm: brisk 3-4 s beats in the exposition (S05-S11), then two long holds (S13 6.5 s walk-in, S16 6.4 s) that slow the store return. No true inserts other than the tilt-down to jars in S15. Static camera dominates; only S12, S13 and S15 have camera movement.
Читаемость эмоции: High for the new wife (pity, contentment, adoration) and for the heroine's grief (crying poses). The specific skin problem is weakly legible: neck lines are visible only in S09 (partial) and S15 (clear, but mostly after the face has left frame); no shot lets the viewer see the neck problem and her face reacting to it at the same time at phone size.

Работает
  • Paper-tear reveal of the new wife at 4 s is on-lyric and stylistically distinctive.
  • B&W 'box out the door' with the smiling couple photos and the closing door tells the divorce in 3 s without a face.
  • Pity exchange in S03 is the clearest two-person acting in the segment.
  • Kitchen with kids watching from the doorway visualises 'була дітям опорою' without literalism.
  • Startle at 57.5 s is cut tight to 'голос'; the new wife entering behind at ~62 s pays it off.
  • Captions are clean, correctly spelled, well-sized, and never overlap faces.
Не работает
  • Heroine identity drifts across the 'March' shots (S08 looks like a different, younger woman).
  • The neck-cream problem is under-shown: only S15 makes neck texture readable, and it does so while the face is out of frame.
  • Wardrobe reuse (pink cardigan in both the store present and the March flashback) removes the then/now signal.
  • Three consecutive hands-over-face crying poses (S08, S09, S11) plus hand-to-temple (S10, S12) — monotonous grief blocking.
  • Product box changes colour/shape between S14 and S16 within the same store visit.
  • Two long static holds (S04 wedding 5 s, S13 walk-in 6.5 s) sag against the song's tempo.
Артефакты
  • S05 15.0-15.5 s: ex-husband pivots 180 degrees in ~1 s — generated turn, borderline morph.
  • S10: eye-size asymmetry and darting eye read slightly uncanny at CU.
  • S15 54-56 s: tilt-down crops the head off; semi-photoreal chest/hands vs stylised face (style seam).
  • S02/S03 boundary (5.5-6.0 s): return transition from the balcony is not cleanly visible at 2 fps; likely a fast aperture/dissolve (uncertain).
  • 14.5 s: a fully white frame with no caption between S04 and S05 (intended flash, but reads as a dropout for ~0.3 s).
  • No text errors found in the 16 caption cards; ASR mishears (макіажу, 'і це', 'поглядко') are audio-side, captions are correct Ukrainian.
Дрейф идентичности / непрерывность
  • Heroine's age reads inconsistent: S01/S03/S14/S16 (store, bun, hoops) ~45 with lines; S08 (sofa) looks ~30 with a rounder, smaller-featured face; S09 mirror face is slimmer/longer; S10 CU is the most haggard.
  • Heroine's earrings alternate: large hoops in S01/S03/S14, small studs in S16.
  • Ex-husband: grey temples in S04 wedding and S06 dinner, no visible grey in B&W S05 (may be the grade).
  • New wife is the most stable identity (same face, eye colour, hair in S01/S02/S03/S06/S07/S16).
  • Heroine hair: bun in store shots (S01, S03, S13, S14, S16), bun on sofa (S08) and kitchen (S12); loose waves in bathroom (S09, S15), CU (S10), bedroom (S11). The flashback/present split is not signalled by hair.
  • Heroine wardrobe: pink cardigan + white top in store AND on the March sofa (S08) AND in CU S10; beige cardigan in kitchen S12; white tank/tee in bathroom and bedroom. Reusing the store outfit inside the flashback blurs then/now.
  • Product box: white with round emblem in S01 and S14; plain beige/tan box in S16 — continuity break inside the same store visit.
  • Ring on heroine's left hand visible in S11 and S16 (divorced heroine).
Наш фильм v07 · сегмент 2 · Pixar-like stylised 3D for every narrative shot (store, wedding, car, lobby) with consistent big-eye proportions; two portrait inserts jump toward semi-real skin (S19 neck ECU at 92-93.8 and S21b mentor CU) - faithful to the original's own style jump but visibly a different renderer; flashback S17 is desaturated to full B&W. Overall shot-to-shot consistency is good in wide/medium shots and weakest inside long single takes.

Ритм: 11 shots touch 60-120 s (S15 tail to S22b head); ~5.7 s average, range 1.7-12.0 s. Rhythm is caption-driven (card every ~3.9 s) over mostly static holds; the only camera move is the S19 push-in. Slow patches: S16 (12.0 s static two-shot), S18 (8.0 s wide car entry). Quick relief: S15b (1.7 s), S19 (4.2 s with motion), S21b (4.2 s). Cuts align with line starts at 62.4, 74.4, 81.6, 101.6, 112.5, 117.7.
Читаемость эмоции: High where there is a physical action (wedding embrace, car entry, mirror push-in, hands-to-neck, lean-in ask, mentor laugh). Low where the shot relies on face alone at distance: S21a heroine reads as distressed during neutral exposition; S16 ends on a cartoon shock face that overshoots 'sympathy hurts more'. The key 'gaze slides down to the neck' beat exists but is eyes-only for ~1.5 s and easy to miss on a phone.

Работает
  • Original causality chain is intact and in order: hear -> turn -> approach -> two-shot sympathy -> B&W wedding memory -> car retreat -> mirror inspection -> isolated portrait -> lobby establish -> mentor portrait -> ask -> laugh/response
  • S19 push-in from profile into the mirror onto a neck ECU that lands exactly on the caption 'На шиї — дрібні заломи,' - the problem zone is unmistakable there
  • S17 wedding: pose -> laugh -> embrace in one take, clean monochrome, emotionally clear
  • S18 car entry is a complete, believable physical action
  • S22a lean-in with palm-up hand and hand-to-chest makes the quoted question read without sound
  • S22b laugh -> look -> heroine self-glance is a real two-way reaction
  • Captions are clean, correctly punctuated Ukrainian, well placed, never over faces
Не работает
  • S16 is a 12 s static two-shot whose heroine changes hairstyle and face mid-take and ends in an over-acted shock face
  • S20 hair-down insert reads as a different woman right after the bun in the car mirror
  • Ghost dissolve into S21b and the same-angle posture jump at 117.7 both show on a phone
  • Mentor's 'smooth neck' is barely on screen in S21b (collar), so the lyric's proof-point is asserted, not shown
  • S21a heroine looks anxious during neutral exposition, mistiming the emotional arc before the ask
  • Store exterior is anonymous (no store identity), weakening the retreat's link to the encounter
  • Two photo-real inserts in a Pixar film feel like a different production
Артефакты
  • Ghost cross-dissolve 107.7-108.9: heroine's bun and the lobby superimposed over the mentor's face for ~1.2 s
  • Hair morph and slow frame drift inside S16 (no cut but the image is not the same shot at the end)
  • Posture/blocking teleport at the 117.7 cut (heroine's hands, mentor's book) - same-angle reset
  • Mirror reflection geometry wrong in S19 (reflected gaze does not match profile gaze)
  • Render-style mismatch of the two photo-real inserts (S19 ECU, S21b) against the Pixar shots
  • Caption hole 98.9-100.0 while the vocal pauses between 'в'яла' and 'ніби'
  • Cloned/duplicated child faces behind the studio glass (S21a, S22a, S22b)
  • Neck problem strength is inconsistent: strong creases in S19 ECU, softer in S20, invisible in every wide shot; no visible mid-shot morphing of the neck itself
  • No on-screen text errors found; ASR mishears ('поглядко взає', 'души', 'Станців та Мирина') are not on screen
Дрейф идентичности / непрерывность
  • S16 62.4-74.4: heroine's tight high bun morphs into a loose curly updo and her face gets rounder/younger and wider-eyed over 69-74 s inside one take
  • S19 mirror reflection shows a frontal face looking at the lens while the profile heroine looks up-left; the reflection has looser side curls and cheek freckle dots seen nowhere else
  • S20 hair fully down + cream top with no cardigan between two bun+cardigan car/lobby shots
  • Mentor: cartoon proportions in S21a/S22 vs photo-real face in S21b; hair grey streaks and blouse do carry across so she is recognisable
  • Wedding bride is a plausibly younger heroine (same hair colour, updo) - intended
  • Heroine bun + pink cardigan + white top + black trousers holds across S15, S15b, S16(start), S18, S19, S21a, S22a, S22b
  • Break: S16 end (loose updo), S20 (hair down, no cardigan)
  • Heroine carries a taupe shoulder bag only in S15b (newWife) / S18 (heroine); no bag in the lobby
  • NewWife (taupe v-neck, jeans, brown belt, bag) consistent across S15b-S16
  • Mentor cream blouse / navy trousers / black loafers / brown handbag consistent S21a-S22b; her booklet changes hand position across the 117.7 cut
Наш фильм v07 · сегмент 3 · Pixar-like stylized 3D throughout (large eyes, soft skin) with a more photographic skin-texture pass on the heroine's before/application CUs (146-155 s) than on her living-room and resolved-mirror renders; Iryna's MCU matches her wide-shot look; the still-life is photoreal. Style drifts shot to shot on the same character.

Ритм: 8 shots in 60 s (7 hard cuts, 1 dissolve), average about 7.5 s; long talking/holding takes (S24 8.6 s, S25 11.8 s, S27 10.3 s, S28 10.4 s) and a 6.8 s object insert; the only camera energy is two slow push-ins (S25, S27); every result beat is a hold with a late payoff; roughly 1.5-2x the original's shot lengths for the same beats.
Читаемость эмоции: Iryna is clear and warm. The heroine's arc is muddy: the 'before' reading (S25) is grief-heavy, both result checks (S26b, S28) open with alarm faces (wide eyes, open mouth, hand clutching neck) and only resolve into a smile in the last 2-3 s, and the compliment reaction (S27 167.5-169) is a shock take. Positive news reads as bad news for the first half of every result beat.

Работает
  • Beat-for-beat structural fidelity to targ-s026..s033, including the motivated push-in isolating the product (S25) and the daughter's upward gaze (S27).
  • Iryna: consistent identity, age-appropriate face, smooth neck as living proof, lively gestures.
  • The problem-state chain is actually rendered: before neck (S25 CU) -> cream on neck with defect retained (S26a) -> softer intermediate (S26b) -> smooth resolved (S28).
  • Product legibility: purple jar with 'GOPURE' cap band in hand for 11 s and at the start of application.
  • Disclaimer strip present from the application onward; captions clean, high-contrast, 1-3 lines.
Не работает
  • Both result reveals open on a frightened face; the emotional read contradicts the lyric for 3-5 s each time.
  • Two ghost dissolves, one with a 3-frame wider-shot flash: the planned matched-view before/after crossfade is not achieved.
  • Heroine identity/age softens in the resolved shots (broader face, bigger eyes, fewer face lines), undermining 'same woman, only the neck changed'.
  • Same white top across weeks/months; no time-passage cue.
  • Legible 'Retin-A Cream' on a competitor tube.
  • Hands cover much of the resolved neck from 175.5 s; the clean unoccluded held result lasts only ~2 s (173.7-175.5) and is paired with a shocked face.
  • Lyric/picture offsets (035, 045) and the un-staged 'looked at my neck' in S22.
Артефакты
  • Ghost double-exposure dissolves at 155.6-155.9 (application to mirror) and 173.3-173.7 (wider mirror to CU); the latter is preceded by a ~3-frame hard-cut flash of the intermediate-mirror framing.
  • Blue tube in the S23 still-life legibly reads 'Retin-A Cream' (real trademark); other labels are pseudo-text.
  • Cream streak on the neck (152.5-154.5) reads as a white scar-like line at low resolution.
  • Skin-texture/style mismatch between the S25/S26a heroine and the S27/S28 heroine.
  • Hands plausible at 1-2 fps sampling (Iryna's gestures, heroine's neck palpation); no extra fingers seen, not exhaustively checked at 30 fps.
  • Caption 035 appears 1.1 s before its shot; caption 045 sits on the living-room shot for 3.6 s.
  • No text errors found in the 17 captions; ASR mishears (гелій, лі, шина, шаш) are transcript errors, not on-screen errors.
Дрейф идентичности / непрерывность
  • Heroine: narrow, heavily lined face in the S25 CU (146-149.6) vs broader face, larger eyes and lighter facial lines in S28 (173.7+) and the toothy grin in S27 (172-173.2); reads younger/different; face lines soften along with the neck, which the plan forbade ('same mature identity/age').
  • Heroine hair: bun in S22 (day 1) vs loose waves in S25 (day 2), acceptable narratively; hair volume/length also varies between bathroom (longer, darker) and living room (fuller, shorter).
  • Iryna consistent across S22, S24, S25 (grey-streaked dark hair, cream blouse, navy trousers).
  • Daughter appears only in S27; consistent within the shot.
  • Heroine wears the same white scoop-neck top in all four home shots (application, 'weeks later' mirror, daughter scene, 'more time' mirror): no costume cue for passage of time (original changed sweater to blouse to shirt).
  • Pink cardigan + white top reused on studio day 2 (S25): same outfit two consecutive days.
  • Iryna: identical outfit on both studio days.
Наш фильм v07 · сегмент 4 · Pixar-like stylised 3D throughout (large eyes, smooth subsurface skin, soft global illumination); consistent across all 10 shots. The flashback inset is the same 3D style but deliberately harsher/greyer with a lined neck (before state). End card mixes a photoreal product photo with flat vector layout.

Ритм: 10 shots (plus the tail of S28) in 59.7 s, average ~5.5 s. Every cut lands on a lyric-phrase boundary (183.6, 189.07, 194.03, 203.3, 210.37, 218.4, 226.57, 235.2). Long holds (S29 5.5 s, S32 7.1 s, S33 8.0 s, S36 8.6 s) are carried by slow push-ins or gesture animation; static holds are S28, S29, S31a/b, S34, S36, S37. One soft transition (blur-dissolve at 198.6), one overlay inset (214.9-218.4). The end card at 4.5 s is the shortest closing card option and gives no silence after the last sung word.
Читаемость эмоции: High. Closed-eye contentment, hand-to-chest gratitude, downcast recollection and the final to-camera smile all read at a glance without dialogue. Two mismatches with the sung text: the blonde's 'surprise in her eyes' line (198.7-203.3) plays over her closed-eye smile, the surprise having been spent in S31a; and her face during the compliment tail 'До речі' (210.4-212) reads worried rather than admiring. Heroine's initial eye-line in S32 (203.3-204.5) looks past the blonde.

Работает
  • Scarf-into-drawer (S29) is a specific, honest neck equivalent of the original's foundation discard and is told purely through action.
  • Flashback inset (S33) puts the crepey before-neck directly against the smooth after-neck in the same frame.
  • Push-ins on S30, S32, S33, S35 keep long holds alive and track the original's camera language.
  • Shot-for-shot fidelity to targ s033-s043 (concert OTS, audience two-shot, lobby, car exterior, mirror callback, sofa CTA, card) while re-targeting the problem to the neck.
  • Problem zone is actually visible and smooth in every hero shot that claims a result (S28, S29, S31-S36), so the claim is carried by the picture, not just the caption.
  • Point-down gesture in S36 lands on 'Посилання' (232.2) as planned; captions are large, high-contrast and consistently placed.
Не работает
  • Visible ghost dissolve at 198.6 - reads as a render glitch, not a designed transition.
  • Garbled jar label in the product-in-hand shot.
  • Three distinct bathrooms for one character's home; mirror beat and drawer beat do not share a set.
  • New wife's expressions in S31a (194-196.5) and S33 (210.4-212) read as alarm/worry where the lyric calls for admiring surprise; 'surprise in her eyes' caption plays over closed eyes.
  • 'через кілька місць' (a few seats away) shown as a single empty seat.
  • End card is short (4.5 s vs 5.9 s in targ) and its bottom third is crowded by both the lyric caption box and the persistent disclaimer strip.
  • Caption 'Бо нарешті я ціную те, що думаю сама.' holds 4.4 s across a hard cut (S34->S35); 'щиро.' and 'Її думка — не головна.' flash ~1 s each - uneven caption rhythm inside S34.
Артефакты
  • Ghost/double-exposure dissolve inside the audience two-shot at ~198.45-198.7 (S31a->S31b): both women's faces doubled for ~6-8 frames.
  • goPure jar label in S36 is AI-garbled pseudo-text (only the lid 'GOPURE' is readable); clashes with the legible photoreal packshot on the card 3 s later.
  • Memory inset pops in at ~214.9 with an almost instant scale-up rather than a designed iris/wipe.
  • Caption-less gap 217.9-218.4 while the inset is still on screen; and the final 0.3 s of the card (239.4-239.7) is caption-less.
  • Audience extras in S30/S31/S32 are static low-detail figures; acceptable but visibly mannequin-like when the leads animate.
  • No text errors found in the 19 captions; ASR errors ('храв', 'у чах', 'добра', 'лашині', 'лиший') are transcription noise, not on-screen errors.
Дрейф идентичности / непрерывность
  • Heroine's face is recognisably the same character across S28-S36 but proportions drift: S28/S35 mirror face is rounder and softer; S29 (187.3) has thinner lips and a more realistic skin texture; S36 sofa face has larger eyes and reads younger than S28.
  • Inset before-face (217.9-218.3) has hair pulled back and greyer skin - intentional, but it is the least similar rendering of the heroine.
  • New wife is stable across S31-S34 (same hair, suit, earrings). Daughter appears only in S30/S31 background.
  • Heroine: white scoop-neck tee in S28, S29 and S35; pink wrap dress + watch + pendant + bag consistently through S31-S34; cream knit top on the sofa (S36). No wardrobe errors inside a scene block.
  • Three different bathrooms in one narrative thread: S28 white-tile wall with wooden mirror; S29 mint wall with rectangular gold mirror and marble vanity; S35 arched gold mirror with window. The mirror check (S28) and the scarf drawer (S29) read as different rooms.
  • New wife's brown shoulder bag appears only in the exterior (S33); fine as she is leaving.
  • Hair length/style of the heroine is constant (shoulder-length waves) - no drift.
CustomTarasFinal · сегмент 1 · Consistent Pixar/Disney-style stylised 3D (large eyes, smooth skin, soft GI lighting) across all 16 shots; the hallway (S07) and hands insert (S06) are closer to photoreal-3D. Per-shot generation is evident: lighting and lens change shot to shot but the palette (dusty rose, sage green, warm wood) holds.

Ритм: 16 shots in 50.5 s, mean 3.2 s. Rhythm: fast 1.3-2.5 s inserts around the wedding/leaving/new-wife montage (S05-S10), then longer 3-6 s acting holds in the store (S13-S16). Dead time: S07 holds an empty doorway for 3.25 s (19.5-22.75); S16 holds a frozen shocked face for 2.3 s. Only three shots have real camera motion (S01, S12, S14 push-ins); the rest are static with idle animation, so several shots read as animated stills.
Читаемость эмоции: High for the primary emotions: stunned (S01), pity (S03), anger (S04), joy (S05), grief (S11, S12), dejection (S14), startle (S16). Secondary beats are missing: the heroine's reaction to the pity look is never shown in the two-shot (S03 hides her face); S15's startle at 44 s fires 4 s before the 'heard her voice' caption, so the audience gets the reaction before the cause.

Работает
  • Beat-accurate reaction cuts: S03 pity smile on 'наче їй мене шкода', S10 eye-open on 'ще не дійшов', S16 head-snap on 'почула'.
  • Problem zone is explicit and consistent in the second half (S11, S14, S15, S16): mottled cheek/forehead patches clearly read at phone size.
  • Colour language: heroine in dusty rose in a sage-green store; new wife in beige/green; memory in gold; grief in teal/blue - clean separation.
  • Mirror shot (S11) shows both the face and the reflection so the patches are seen twice.
  • Captions are big, high-contrast and always readable; median 5 words per card.
Не работает
  • Placeholder/English product text ('Lorem ipsum', 'RADIANCE HYDRATE') is visible on the very product she is supposed to be judging.
  • Continuity breaks inside a single scene (new wife's tee -> sweater; wrong OTS character; husband's hair) undermine the 'same store, same minute' premise.
  • The heroine is not visibly older or more tired than the new wife - only spottier - so 'aged five years' is not carried by the picture.
  • Caption cards are cut at lyric-phrase boundaries rather than at cuts, producing gaps and one mid-phrase split.
  • S07's 3-s empty hallway and S16's 2-s frozen stare spend attention budget with no new information.
  • Segment boundary: taras-S17 starts at 50.5 s (frontal shocked MCU, caption 'Ряд Я знала, що це вона'); documented in segment 2.
Артефакты
  • S15: jar label reads 'Lorem ipsum' (placeholder text), fully legible at 42-45 s.
  • S14: jar label 'RADIANCE HYDRATE' in English.
  • S04: background morphs from shelves to wall/window and cardigan to crew-neck during 12.6-13.3 s; pigment rendered as a flat beige stain.
  • S07: greyscale-to-colour ramp at 19.0-19.5 s (looks like a generator artifact more than a choice); husband's hair colour wrong.
  • S02: wrong foreground character (grey-haired woman) in the OTS.
  • Garbled in-world lettering on all green shelf signs (S03, S15, S16).
  • S10: doll-like oversized single eye in ECU borders on uncanny.
  • Caption timing faults: 0-0.5 s uncaptioned hook; 12.7-13.5 gap; 47.8-48.2 gap; 'через / Ряд' split with wrong capital.
Дрейф идентичности / непрерывность
  • Heroine face varies shot to shot: S01 longer face with rounder cheeks; S04 sharper profile with a flat beige patch; S11 round young face with spots; S14/S15 rounder, larger eyes, hair reads as a bob; S16 bun with green scrunchie. Recognisable by cardigan + bun + patches rather than by face.
  • Heroine reads 22-28 years old in every shot; 'postarila na 5 rokiv' is carried only by the pigment, not by age cues.
  • exHusband: grey-haired bearded man in S05 (wedding, 16 years earlier) and S09 (rooftop) but dark-haired from behind in S07 (hallway).
  • S02 OTS foreground figure is a grey-haired woman in a teal Fair-Isle sweater - not the heroine - while S03's OTS edge is dark-haired (heroine).
  • newWife: green tee (S02, 3.1-7.0) -> beige ribbed sweater (S03, 7.0-10.8) inside the same store encounter; beige sweater then persists for park/rooftop/ECU (S08-S10).
  • heroine: open cardigan + white tee in every store/home shot; morphs to a closed crew-neck within S04 (12.6-13.3 s).
  • exHusband suit: light grey (S05) vs navy sleeve (S06) vs grey (S07) vs dark blazer (S09).
  • Heroine bun scrunchie black (S04) vs green (S16); bun hidden/looks like bob in S13-S15.
  • Problem zone rendering inconsistent: flat single beige blob (S04) vs mottled multi-spot patches (S11, S14-S16) vs generic tan (S01).
CustomTarasFinal · сегмент 2 · Pixar-like stylised 3D throughout (oversized eyes, soft subsurface skin, painterly bokeh); each shot is an independently generated clip, so backgrounds are re-invented per shot. S17 drifts toward a semi-real beauty render of the newWife; S20 is monochrome with a mid-shot fade to colour; S24 is a studio-portrait look with no environment.

Ритм: 13 shots in ~50 s (S14 counted), mean 4.2 s: reaction shots of 2.5-3.3 s (S16, S18, S24, S25a) alternate with 5-6 s holds (S19, S20, S21, S23). Every shot is a face at CU/MCU except the two-shot S16 and the car MS S22; there are no wides, no inserts, no establishing shot of the store or the studio, so geography is never given. All camera moves are slow push-ins (S15, S19, S20, S22, S23); the rest are static holds with facial animation only. Physical action is limited to the head-whip (S14), head-back (S22) and finger-to-cheek (S23).
Читаемость эмоции: High: every shot carries one unambiguous emotion (dread S15, evaluation S17, shame S18, pity S19, grief S20/S21, resignation S22, self-inspection S23, depletion S24, warmth S25). It is overplayed at times (fists in S15, closed-eye smile S19, streaming tears S20) but never unclear; the villain beat is correctly a smile, not a sneer.

Работает
  • S17 eye-scan ECU visualises 'лоб, щоки, підборіддя, дві секунди' literally
  • S19 POV push-in on the sympathetic smile makes the 'worse than contempt' idea legible without dialogue
  • S23 finger landing on the cheek patch exactly on 'Пігментні плями' - clearest problem-zone demonstration
  • S24 clean front-lit pigment passport frame
  • Mentor design reads age, elegance and clear skin instantly (S25a/b)
  • Wardrobe continuity for all three characters
  • White-box captions are always legible over any background
Не работает
  • Location roulette across nine different backdrops for a story set in one store aisle and one car
  • newWife is not one person across S16/S17/S19
  • Heroine eye colour and pigment density drift
  • Wedding memory reduced to a ghost sticker with no husband; the monochrome is used on the wrong shot
  • The 'heard her voice one aisle over' spatial beat is lost - the blonde is never placed in depth before the two-shot
  • Caption cards are timed to the vocal only and ignore the cuts (four overhangs, one long gap)
  • S24 leaves the car for a beige studio with no motivation, S25 jumps outdoors->indoors under one pose
Артефакты
  • S17 style pop to semi-real skin while the rest is cartoon
  • S20 unmotivated black-and-white, and a grade fade back to colour inside the shot (74.1-74.7)
  • S21 ghost-bride overlay pasted over the torso with its own lighting direction; no husband in the 'woman her husband loved first' beat
  • S23 hand gripping the rear-view mirror edge for the first 3 s looks anatomically odd; lighting jumps from sunset (S22) to flat daylight
  • S25a->S25b background swaps under an identical pose via a 0.3 s dissolve - reads as a glitch
  • Captions lag cuts by 0.1-0.25 s at four boundaries and leave a 1.7 s empty gap at 59.08-60.79
  • Capitalisation errors: Ряд, Я, І mid-sentence; Кореянка
  • Heroine's eye colour changes (S18 green)
Дрейф идентичности / непрерывность
  • Heroine eye colour: brown/amber in S14, S15, S21, S22, S23, S24; green in S18
  • Heroine pigment density swings: barely present in S18, moderate S14-S16/S21/S22, heavy and sharp in S23/S24
  • Heroine hair: dark tight bun S14-S16, lighter auburn loose bun S18, pulled-up with strands S21/S24
  • newWife is three different faces: soft cartoon in S16, narrow semi-real face with straighter hair in S17, round Disney-princess face with pink nose in S19 (green eyes and cream top are the only constants)
  • Ghost bride in S21 is a plausible younger heroine (same hair colour), clear skin
  • Mentor is consistent between S25a and S25b (same streaked bob, pearls, turtleneck); S25b face slightly wider
  • Heroine wardrobe fully consistent: mauve/dusty-rose knit cardigan over white tee in every shot (jeans + seat belt visible in S22)
  • newWife: cream/ivory top in all three appearances; hair alternates wavy (S16, S19) vs straighter (S17)
  • Mentor: dark-green turtleneck and pearl studs in both shots
  • Locations do not hold: skincare aisle (S14, S16, S19) -> grocery packets (S17) -> perfume wall (S18) -> pharmacy bottles B&W (S20) -> canned goods (S21) -> car at sunset (S22) -> car at noon (S23) -> beige studio (S24) -> studio door at dusk (S25a) -> lobby (S25b)
CustomTarasFinal · сегмент 3 · Pixar-like stylised 3D throughout (large eyes, soft subsurface skin, painterly bokeh backgrounds); consistent character shading from shot to shot, but the S31 packshot (tube + hand + lamp) is rendered near-photoreal and reads as a different pipeline.

Ритм: Ten shots in 50 s (avg 5.0 s): two long two-shot holds (S30 8.5 s, S34 8.2 s), two very short inserts (S29 1.7 s, S32 1.7 s), the rest 4.5-7 s. Rhythm is caption-led: cards change every ~4 s while cuts land on lyric-line starts (100.0, 105.5, 110.0, 117.4, 126.0, 132.2, 139.0, 147.2). Camera language is static for dialogue two-shots and slow push-ins for the four 'result' shots (S31, S33, S34, S35), which gives the back half more life than the front half. No inserts of discarded products, no B-roll; the application beat (S32) is under-held.
Читаемость эмоции: Good on the mentor (smile -> concern -> stern -> tender) and very good in S34 (child touches cheek) and S35 (surprise -> joy). Heroine's 'before' anxiety is legible in S26/S28/S32. The weak point is S33: her expression says 'scrutiny/worry' and the pigment says 'unchanged', so the intended 'first improvement' emotion is not delivered.

Работает
  • S34 daughter-touches-cheek: the strongest, most legible emotional beat; physical contact sells 'you look different' without needing skin detail.
  • S30 hand-off of the tube with both heads lifting into eye contact - warm, on-lyric, well lit.
  • S29 stern mentor punch-cut gives the segment a rhythmic accent exactly on 'it only makes it worse'.
  • S35 surprise-to-smile morph timed to the vocal rest, with captions dropping out during the rest.
  • Consistent caption position/box so the eye never hunts; consistent heroine wardrobe and hair across six shots.
  • Brand/product legibility: HANBIT tube is readable in S30, S31, S32.
Не работает
  • S33 claims 'patches became lighter' over the densest pigment of the segment - the core before/after promise is visually contradicted.
  • S28 renders the heroine with clear skin during the 'before' product-listing beat.
  • Transformation is a one-frame jump (138.9 dense pigment -> 139.0 clear) instead of a graded reveal; the 'six weeks' result then repeats what S34 already showed.
  • Four different bathrooms and a never-established hallway break spatial continuity.
  • Product vanishes inside the clasped hands in S30; 'throw the rest away' has no visual; 'Korean letters' are not on the tube.
  • Caption segmentation cuts across phrases producing dangling words; two cards have 9 words on a 2-line pill, which is dense for a 4 s read.
  • S32 application is 1.7 s - too short for the 'no sting, no peeling' claim to land.
Артефакты
  • S33: mirror reflection shows a 3/4 face while she faces camera (impossible mirror geometry).
  • S30: hero product disappears mid-shot after the hand-off.
  • S31: garbled small text on the tube ('fl.oz' line); no Korean characters despite the lyric.
  • S28: bottle labels are pseudo-text gibberish.
  • S26/S27 captions carry dangling words from the next lyric line ('вона', 'Я').
  • S27: mentor's eyes fully shut on a long blink mid-line (~108 s) - reads as a hold on a bad frame in the 1 fps view, acceptable at speed.
  • S31 semi-photoreal render vs stylised characters (style break).
  • No ghost dissolves or morphs found; all 10 boundaries are clean hard cuts.
Дрейф идентичности / непрерывность
  • Mentor: S27 face is smoother/younger (~50) with soft features; S29 is a visibly older, heavily wrinkled, stern version; S30 lands between them. Hair (black + white streak) and pearl earrings stay consistent so she is recognisable, but age reads differently.
  • Heroine: face model is stable (same brows, eye colour, bun); problem zone is what drifts - see hairWardrobeContinuity.
  • Heroine's forehead patch is a single large blotch in S26/S32 but a mottled dense freckle field in S33 - a different pigment design, not a lighter version of the same one.
  • Heroine: mauve/pink cardigan + white top + brown low bun in every shot (consistent); trousers vary (blue jeans S30, grey S34) - acceptable across days.
  • Mentor: dark green turtleneck in S26, S27, S29; cream satin blouse in S30 ('next day' - motivated but also mimics the original mentor's costume, so within taras she has two looks).
  • Problem zone: pigment PRESENT S26 -> ABSENT S28 (bathroom, 'before' beat) -> PRESENT S32 -> DENSE S33 (captioned 'lighter') -> ABSENT S34 -> ABSENT S35. The before/after logic is broken twice (S28 and S33).
  • Locations: four different bathrooms (S28 beige tile/glass shelf; S32 round mirror/blue tile; S33 rectangular wood-framed mirror/white tile; S35 light tile/wooden shelf) for what should be one home.
  • Hero tube visible in mentor's hands 117.5-119.7 then vanishes inside clasped hands for the remaining 6 s of S30.
CustomTarasFinal · сегмент 4 · Consistent Pixar-like stylised 3D (big amber eyes, soft subsurface skin, painterly bokeh backgrounds) across all nine story shots; end card is flat vector graphics. Shots look like separate 3-8 s image-to-video generations stitched with hard cuts; no dissolves in this segment.

Ритм: Ten shots in 44.2 s (avg 4.4 s; range 2.3-8.3). Rhythm is one shot per sung line, all hard cuts, with slow push-ins as the only camera language; four consecutive face-hold push-ins (S39-S41 plus S36) make 173-182 feel static. S38's 8.3 s drift is the slowest beat and lands on the lyric's most active moment. The only physical movement is S37 (piano hands) and S42 (walking), and S42 is the shortest shot. End card holds 5.75 s, matching the source.
Читаемость эмоции: Broad emotions (joy, relief, tenderness, gratitude) are very legible on the heroine thanks to large eyes and clean CU/ECU push-ins. The segment's specific narrative beats are NOT legible without captions: the blonde's 'not pity, not sympathy, just confused' look is never performed (she smiles); the walk-up compliment has no compliment-giver in frame (S39); the 'that day in the car' callback has no car or flashback (S40). Expression is monotonously 'happy' from 150 to 188.

Работает
  • Skin result is unambiguous: every face shot from 150 to 188 shows clean, evenly toned cheeks at CU/ECU with no pigment; problem state reads 'resolved' without a before/after insert.
  • S40 push-in to ECU is the strongest emotional frame of the segment — clean render, direct gaze, tender brow.
  • Recital setting (S37) is instantly legible; the daughter is appealing and actually plays.
  • S41 keeps the source's blocking idea (blonde receding in background) cheaply and effectively.
  • S42 mother-daughter exit into sunlight is a warm, on-brand family button the source did not have.
  • S43 tube and S44 end card share colour, logo and layout; end card copy is clean, correct Ukrainian, with disclaimer and CTA, held long enough to read.
  • Caption style is consistent, high-contrast and readable on every background.
Не работает
  • Narrative causality is dropped: no confused look from the blonde (S38), no compliment-giver on screen (S39), no car callback/inset (S40) — three of the source's key payoff beats survive only as text.
  • S38 morphing (blonde changes sides, hair changes) is the most visible AI artifact in the segment and sits on the longest shot.
  • Daughter identity drift (brown vs blonde hair; blue-dress performer on stage) breaks the recital continuity.
  • Garbled product typography on the hero tube in S43 undermines the packshot right before the clean end card.
  • The sung brand/link line ('Крем називається Ханбіт, посилання нижче') has no lyric caption; the product shot S43 carries the self-worth line instead of the product line, so lyric-to-picture mapping is one beat off at the CTA.
  • Caption box relocation at 181.6 s and the 0.3 s overlap on the CTA pill look unfinished.
  • Heroine hairstyle and cardigan hue drift across adjacent shots (S38->S39->S40, S41->S42->S43).
  • Monotone acting: smiling in every shot, no contrast beat before the payoff; the segment's emotional arc is flat.
Артефакты
  • S38: newWife's seat position morphs screen-right -> screen-left -> screen-right within one continuous take; heroine's bun changes shape; blurred foreground grey-haired head at 162-164.5.
  • S43: tube label vertical text is garbled/mirrored glyphs (pseudo 'AREB3TN 7.4+TXA 4.2 CREAM'); end card label is clean, so the two products do not match at glyph level.
  • S40: wall poster contains pseudo-text ('MUS…'/'MASC…') and a violin — decorative gibberish.
  • Caption box jumps from ~70% to ~86% frame height at 181.6 s and stays there; lyric caption lingers over the end-card CTA pill for ~0.3 s (188.42-188.7).
  • Caption/lyric gaps: 1.5 s bare after 'На шостому тижні' (149.5-151.0) while 'Шкіра' is already sung; 0.6 s bare at 178.5-179.1 while 'Я' is sung.
  • No lip-sync: mouth opens/closes loosely (S36 152.5-153.5, S38 164-166) without matching the vocal.
  • Crowd extras in S37/S38/S39 are typical AI crowds: soft duplicated faces, some looking at camera; acceptable at bokeh but the S38 foreground head is a blob.
  • Caption text vs ASR: caption 'як не була' (ASR 'як не було'); caption 'не жаль' (ASR 'На жаль', p=0.12) — captions are the authority; no spelling errors found in captions or end-card copy.
Дрейф идентичности / непрерывность
  • Heroine's face identity is stable across S35-S43 (same eye colour, brow shape, freckle pattern); only her hairstyle and cardigan hue drift.
  • Daughter hair colour: light-brown braids at the piano (S37) vs golden-blonde braids outdoors (S42); the tiny stage performer seen from the audience in S38 wears a BLUE dress with dark hair, not the yellow dress.
  • newWife is consistent (long wavy blonde, beige knit) in S38; in S41 she is only a blurred blonde figure.
  • Heroine bun: loose low bun with strands (S35, S36, S40, S41, S43) -> loose back bun morphing into tight chignon within S38 -> large glossy double-chignon (S39) -> neat tight bun (S42).
  • Cardigan: dusty pink in S35-S41 and S43; noticeably deeper plum/mauve in S42 (exterior backlight may contribute, but the hue is different in shadow too).
  • White crew-neck tee and jeans consistent throughout.
  • Blonde's bag/sweater consistent within S38.

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Как это измерено

Все кадры/титры/действия прочитаны агентами по 1 fps контактным листам, 2 fps кадрам и ключевым кадрам планов; звук — faster-whisper large-v3-turbo (word timestamps), demucs htdemucs, librosa; никакой модели не приписывается «прослушивание» милозвучности — суждения о песне сделаны по тексту, таймингу и измерениям. Ничего не генерировалось и не покупалось.